Guthrie-Plotinus: acting

Let us therefore consider the arts and their products. Unless as represented within human reason, we cannot refer to the intelligible world arts of imitation such as painting, sculpture, dancing, or acting, because they are born here below, take sense-objects as models, representing their forms, motions, and visible proportions. If, however, we possess a faculty which, by studying the beauties offered by the symmetry of animals, considers the general characteristics of this symmetry, it must form part of the intellectual power which, on high, contemplates universal symmetry. Music, however, which studies rhythm and harmony, is, so far as it studies what is intelligible in these things, the image of the music that deals with intelligible rhythm. [Ennead V,9 (5) 11]

Now suppose a single sound or word; those who listen to it hear it and receive it, each in his own way; hearing passes into each of them in the condition of an actualization, and perceives what is acting on it. We thus became two men at once (the intelligible Man, and the sense-man who added himself to the former); we are no longer, as before, only one of the two; or rather, we are sometimes still only one of them, the man who added himself to the first. This occurs every time that the first Man slumbers in us, and is not present, in a certain sense (when we fail to reflect about the conceptions of intelligence). [Ennead VI,4 (22) 14]

If all the elements, when begotten, were to be gathered into one sphere, (there would be an opportunity of observing and comparing them. The result would be a conclusion that) this sphere does not have a plurality or a diversity of authors, one of whom would have created one part, and another author, another. The production of this sphere will imply a single Author, who created it by acting, as a whole; not producing one part of creation by one part of Himself, and another part of creation, by another part of Himself. In the latter case, the sphere might still have several authors, if the production of the totality were not traced to a single, indivisible Principle. Though this single and indivisible Principle be the author of the entire sphere, it does not interpenetrate the sphere; for it is the entire Sphere which depends on its author. One only and single Life contains the entire Sphere, because this is located in a single Life. All the things that are in the sphere may, therefore, be reduced to a single Life, and all the souls form a Soul which is single, but which is simultaneously infinite. That is why certain philosophers have said that the soul is a number; others, that the number produces increase in the soul, no doubt meaning by that, that nothing is deficient in soul, that she is everywhere without ceasing to be herself. As to the expression, “to produce increase to the soul,” this must not be taken literally, but so as to mean that the soul, in spite of her unity, is absent nowhere; for the unity of the soul is not a unity that can be measured; that is the peculiarity of another being which falsely claims unity for itself, and which succeeds in gaining the appearance of unity only by participating therein. The Essence which really is one is not a unity composed of several things; for the withdrawal of one of them would destroy the total unity. Nor is it separated from the other things by limits; for if the other things were assimilated thereto, it would become smaller in the case where these would be greater; either it would split itself up into fragments by seeking to penetrate all, and instead of being present to all, as an entirety, it would be reduced to touching their parts by its own parts. If then this Essence may justly be called one, if unity may be predicated of its being, it must, in a certain manner, seem to contain the nature opposed to its own; that is, the manifold; it must not attract this manifoldness from without, but it must, from and by itself, possess this manifold; it must veritably be one, and by its own unity be infinite and manifold. Being such, it seems as if it were everywhere a Reason (a being), which is single, and which contains itself. It is itself that which contains; and thus containing itself, it is no where distant from itself; it is everywhere in itself. It is not separated from any other being by a local distance; for it existed before all the things which are in a locality; it had no need of them; it is they, on the contrary, which need to be founded on it. Even though they should come to be founded on it, it would not, on that account, cease resting on itself as a foundation. If this foundation were to be shaken, immediately all other things would perish, since they would have lost the base on which they rested. Now this Essence could not lose reason to the point of dissolving itself by withdrawing from itself; and to be about to trust itself to the deceptive nature of space which needs it for preservation. [Ennead VI,5 (23) 9]

But how can the soul’s irascible-part be at one time courageous, and at the other cowardly? When it is cowardly, it does not consider reason, or considers reason as having already become evil; or because the deficiency of its instruments, that is, the lack of weakness of its organs, hinders it from acting, or feeling emotion, or being irritated. In the contrary condition it is courageous. In either case, the soul undergoes no alteration, nor is affected. [Ennead III,6 (26) 2]

Now let us return to that which has always been what it is. Let us, in thought, embrace all beings: air, light, sun, and moon. Let us then consider the sun, the light, and so forth, as being all things, without ever forgetting that there are things that occupy the first rank, others the second, or the third. Let us, at the summit of this series of beings, conceive of the universal Soul as subsisting eternally. Let us then posit that which holds the first rank after her, and thus continue till we arrive at the things that occupy the last rank, and which, as it were, are the last glimmerings of the light shed by the soul. Let us represent these things as an extension first dark, and then later illuminated by the form which comes to impress itself on an originally dark background. This background is embellished by reason in virtue of the entire universal Soul’s independent power of embellishing matter by means of reasons, just as the “seminal reasons” themselves fashion and form animals as microcosms. According to its nature, the Soul gives a form to everything she touches. She produces without casual conception, without the delays of deliberation, or of those of voluntary determination. Otherwise, she would not be acting according to her nature, but according to the precepts of a borrowed art. Art, indeed, is posterior to nature. Art imitates by producing obscure and feeble imitations of nature’s works, toys without value or merit; and besides, art makes use of a great battery of apparatus to produce these images. On the contrary, the universal Soul, dominating bodies by virtue of her nature (“being”) makes them become and be what she desires; for the things themselves that exist since the beginning cannot raise resistance to her will. In inferior things, as the result of mutual obstruction, matter does not receive the exact form that the (“seminal) reason” contains in germ. But as the universal Soul produces the universal form, and as all things are therein co-ordinated, the work is beautiful because it is realized without trouble or obstacle. In the universe there are temples for the divinities, houses for men, and other objects adapted to the needs of other beings. What indeed could the Soul create if not what she has the power to create? As fire warms, as snow cools, the soul acts now within herself, and then outside of herself, and on other objects. The action which inanimate beings elicit from themselves slumbers, as it were, within them; and that which they exert on others consists in assimilating to themselves that which is capable of an experience. To render the rest similar to itself, is indeed the common characteristic of every being. The soul’s power of acting on herself and on others is a vigilant faculty. It communicates life to beings who do not have it in themselves, and the life communicated to them is similar to the life of the soul herself. Now as the soul lives in reason, she imparts a reason to the body, which reason is an image of the one she herself possesses. Indeed, what she communicates to the bodies is an image of life. She also imparts to them the shapes whose reasons she contains. Now as she possesses the reasons of all things, even of the divinities, the world contains all things. [Ennead IV,3 (27) 10]

How would such a wisdom differ from so-called nature? (In the Soul) wisdom occupies the first rank, and nature the last. Nature is only the image of wisdom; now, if nature occupy no more than the last rank, she must also have only the last degree of the reason that enlightens the Soul. As illustration, take a piece of wax, on which the figure impressed on one side penetrates to the other; and whose well-marked traits on the upper face appear on the lower face only in a confused manner. Such is the condition of nature. She does not know, she only produces, blindly she transmits to matter the form she possesses, just as some warm object transmits to another, but in a lesser degree, the heat it itself possesses. Nature does not even imagine: for the act of imagining, inferior as it is to that of thinking, is nevertheless superior to that of impressing a form, as nature does it. Nature can neither grasp nor understand anything; while imagination seizes the adventitious object and permits the one who is imaging to know what he has experienced. As to nature, all it knows is to beget; it is the actualization of the active potentiality (of the universal Soul). Consequently, Intelligence possesses intelligible forms; the (universal) Soul has received them, and ceaselessly receives them from her; that is what her life consists of; the clearness which shines in her is the consciousness she has of her thought. The reflection which (the Soul herself projects on matter is nature, which terminates the series of essences, and occupies the last rank in the intelligible world; after her, there is nothing but imitations (of beings). Nature, while acting on matter is passive in respect (to the Soul). The (Soul), superior to nature, acts without suffering. Finally, the supreme (Intelligence) does not (itself) act on the bodies or on matter. [Ennead IV,4 (28) 13]

Since the influence exteriorly exercised by the heavens on us, on animals, and on human affairs generally has been excluded from physical causes (of astrology) and from voluntary decisions of divinities, it remains for us to find some cause to which it may reasonably be attributed. First, we will have to admit that this universe is a single living being, which contains within its own organism all living beings; and that it contains a single Soul, which is communicated to all its parts; namely, to all beings that form part of the universe. Now every being that is contained in the sense-world is a part of the universe. First, and unrestrictedly, it is a part of the universe by its body. Then, it is again part of the universe by its soul, but only so far as it participates (in the natural and vegetative power) of the universal Soul. The beings which only participate in (the natural and vegetative power) of the universal Soul are completely parts of the universe. Those who participate in another soul (the superior power of the universal Soul), are not completely parts of the universe (because they are independent by their rational souls); but they experience passions by the actions of the other beings, as far as they have something of the universe (so far as by their irrational souls, they participate in the natural and vegetative power of the universe), and in the proportion in which they possess some part of the universe. This universe is therefore a single living being that is self-sympathetic. The parts that seem distant are not any the less near, as, in each animal, the horns, nails, fingers, the organs at distance from each other, feel, in spite of the interval which separates them, the affection experienced by any other one of them. In fact, as soon as the parts are similar, even when they are separated by an interval instead of being placed by each others’ side, they sympathize by virtue of this their similarity, and the action of the distant one is felt by all the others. Now in this universe which is a single living being, and which forms a single organism, there is nothing distant enough in place not to be near because of the nature of this being whose unity makes it self-sympathetic. When the suffering being resembles the acting one, it experiences a passion conformable to its nature; when on the contrary it differs, it experiences a passion that is foreign to its nature, and painful. It is therefore not surprising that though the universe be single, one of its parts can exert on another a harmful influence, since it often happens to ourselves that one of our parts wounds another by its action; as for instance, that the bile, setting anger in motion, should crush and tear some other part of the body. Now something analogous to this bile which excites anger, and to other parts that form the human body, is discovered in the universe. Even in plants there are certain things which form obstacles to others, and even destroy them. Now the world forms not only a single animal, but also a plurality of animals; each of them, as far as it has a share in the singleness of the universe, is preserved thereby; but, in so far as this animal enters into the multiplicity of some other animal, he can wound it, or be wounded by it, make use of it, or feed on it, because it differs from itself as much as it resembles itself; because the natural desire of self-preservation leads us to appropriate what is suitable to itself, and in its own interest to destroy what is contrary thereto. Finally, each being, fulfilling its part in the universe, is useful to those that can profit by its action, and wounds or destroys those who cannot support it; thus plants are scorched by the passage of fire, and the little animals are dragged along or trampled by the greater. This generation and this corruption, this betterment and deterioration of things render easy and natural the life of the universe considered as a single living being. Indeed, it would not otherwise have been possible that the particular beings it contains should have lived as if they were alone, should possess their ends in themselves, and should live only for themselves; since they are only parts, they must, as such, concur in the ends of the whole of which they are parts; and, so far as they are different, they could not each preserve its own life, because they are contained in the unity of the universal life; neither could they entirely remain in the same state, because the universe must possess permanence, and because of the universe, permanence consists in ever remaining in motion. [Ennead IV,4 (28) 32]

As the circular movement of the world has nothing fortuitous, inasmuch as it is produced conformably to the reason of this great animal, a perfect symphonic (co-operation) between what “acts” and what “reacts” must exist within it; and there must also have been an order which would co-ordinate things one with another, so that at each of the phases of the circular movement of the world there might be a correspondence between the various beings subject to it, as if, in a varied choric ballet the dancers formed a single figure. As to our own modern dances, it is easy to explain the eternal things which contribute thereto, and which differ for every motion, like the sounds of the flute, the songs, and the other circumstances which are thereto related. It is not however as easy to conceive the motions of a person who conforms himself strictly to each figure, who accompanies, who raises one limb, or lowers another, who moves this limb, or holds the other limb motionless in a different attitude. The dancer’s eyes are doubtless fixed on some further aim while his limbs are still responding to the motions inspired by the music, by co-operating in expressing them, and in completing them symmetrically. Likewise, a man learned in the art of dancing could explain the reason that, in such a figure, such a limb is raised, such a limb is bent, while others are hidden or lowered; not indeed that the dancer deliberates about these different attitudes, but because in the general movement of his body he considers such a posture suitable to such a limb to fulfil its proper part in the dance. Likewise do the stars produce certain facts, and announce other ones. The entire world realizes its universal life by causing the motion of the greater parts it comprises, by ceaselessly changing the figures, so that the different positions of the parts, and their mutual relations may determine the rest, and that things may occur as in a movement executed by a single moving living organism. Thus such a state is produced by such an attitude, such positions, such figures; while some other state is produced by some other kind of figures, and so forth. Consequently, the real authors of what is occurring do not seem to be those who carry out the figures, but He who commands them; and He who plans the figures does not do one thing while busying Himself with another, because He is not acting on something different from Himself; He himself is all the things that are done; He here is the figures (formed by the universal movement), He himself there is the resultant passions in the animal so moved and constituted by nature, simultaneously “active” and “passive” as the result of necessary laws. [Ennead IV,4 (28) 33]

Thus the light that emanates from bodies is the actualization of the luminous body which is active exteriorly. The light in the bodies whose original nature is such, is the formal being of the originally luminous body. When such a body has been mingled with matter, it produces color. The actualization alone does not suffice to give color; it produces only the hue, because the actualization is the property of a subject, and depends on it, so that nothing can be withdrawn from the subject without simultaneously being withdrawn from its actualization. Light is entirely incorporeal, though it be the actualization of a body. It could not therefore properly be said of light that it withdraws or is present. The true state of affairs is entirely different; for the light, so far as it is the actualization of the luminous body, is its very being. The image produced in a mirror is therefore an actualization of the visible object, which acts on anything that is passive (that can suffer, or experience), without letting any of its substance escape by any wastage. If the object be present, the image appears in the mirror; it is as it were the image of the color that possesses some particular figure. When the object withdraws, the diaphanous body no longer possesses what it possessed while the visible object was acting on the mirror. A similar condition is that of the soul; her actualization dwells within the (world’s) body so long as this soul herself dwells within it. [Ennead IV,5 (29) 7]

But when a principle has a simple nature, when it is a single actualization, when it is not other in potentiality than it is in actualization, how would it not be free? It cannot be said to be acting conformably to its nature, because its actualization is not different from its being, and because, within it, essence and action coincide. It surely is free, if it act neither for another, nor in dependence on another. If the word “independent” be not suitable here, if it be too weak, we must at least understand that this Principle does not depend on any other, does not recognize it as the ruler of its actions, any more than of its being, since it itself is principle. [Ennead VI,8 (39) 4]

Besides, all that approaches the heaven is either air or fire. What of it is air cannot affect the heaven. What of it is fire can neither influence the heaven, nor touch it, to act on it. Before acting on the heaven, it would have to assume its nature; besides, fire is less great or powerful than the heaven. Moreover, the action of fire consists in heating; whereas, 1, that which is to be heated cannot have been hot by itself; and as, 2, that which is to be dissolved by fire must first be heated, inasmuch as it is this heating which causes a change of nature. No other body is needed for either the subsistence of the heaven, or for the functioning of its natural revolutions. Moreover, the heaven does not move in a straight line, because it is in the nature of celestial things to remain immovable, or to move in a circular orbit, and not to assume any other kind of movement without compulsion by some superior force. [Ennead II,1 (40) 8]

How can all qualities be potentialities? It is easy to see that beauty and health are qualities. But how could ugliness and sickness, weakness and general impotence, be qualities? Is it because they qualify certain things? But what hinders the qualified things from being called such by mere nomenclature, as homonyms, and not because of a single (all-sufficient) reason? Besides, what would hinder them from being considered not only according to one of the four modes, but even after each one of the four, or at least after any two of them? First, the quality does not consist in “acting” and “experiencing”; so that it is only by placing oneself at different viewpoints that one could call what “acts” and “experiences” a quality, in the same sense as health and sickness, disposition and habitude, force and weakness. Thus power is no longer the common element in these qualities, and we shall have to seek something else possessing this characteristic, and the qualities will no longer all be reasons. How indeed could a sickness, become a habituation, or be a reason? [Ennead VI,1 (42) 10]

The Aristotelians hold that number and quantity, and other things referring to being should be subordinated to being; thus they classify quantity as in a genus different from being. Quality also refers to being, it also is erected into a separate genus. Consequently, as action also refers to being, it is also considered a separate genus. Must then “acting,” or rather “action,” from which “acting” is derived, be considered a separate genus, as we consider that quality, from which qualification is derived, is a separate genus? (As to these derivations), it might be asked whether there were no distinction between “action,” “to act,” and “active,” or between “to act,” and “action?” “To act” expresses the idea of “active,” while “action” does not express it. “To act” means “to be in some action;” or rather, “in actualization.” Consequently, “actualization” expresses a category rather than “action;” since actualization is predicated of being, like quality, as was said above; and actualization, like movement, also relates to being; but movement necessarily constitutes a class of essence. How indeed could we admit that quantity, quality and relation each form a genus, in respect to being, and yet refuse to movement, which equally refers to being, the privilege of also forming a genus of being? [Ennead VI,1 (42) 15]

It may be objected that actualization and movement do not, by themselves, form a genus, but belong to the genus of relation, because actualization exists through the power of something active, and movement exists by the power of some motor, as such. We might answer that relative conceptions are produced by habituation (the manner of being) even of things, and not only through the relation established between them by the mind. As the habituation is a mode of “hypostatic” existence, although it be the “thing of something else,” or although it refer to something else, it nevertheless possesses its nature before being a relation. Now this actualization, this movement, this habituation, which is the “thing of some other thing” nevertheless possesses the property of existing and of being conceived by itself before being a relation; otherwise, all things would be relative conceptions; for there is nothing, not excluding the soul herself, which does not bear some relation to something else. Moreover, why are “action” and “acting” not relatives? For they necessarily are either a movement or an actualization. If the Aristotelians consider “action” a relative, and make a genus of “acting,” why then do they not also place “movement” among the relatives, and make a genus of “moving?” They might, indeed, have subsumed under the genus “movement” the two species “action” and “reaction” (or, “suffering”); but they have no right to make two distinct genera of “acting” and “reacting,” as they generally do. [Ennead VI,1 (42) 17]

We must further examine if the Aristotelians have the right to say that acting contains both actualizations and movements, the actualizations producing themselves instantaneously, and the movements successively; as, for instance, dividing implies time. Or will they say that all actualizations are movements, or, at least, are accompanied by movements? Will they trace all actions to “experiencing” (or, reactions), or will they acknowledge absolute actions, like walking or speaking? Or will they distinguish all actions that relate to “experiencing” as movements, and all absolute actions as actualizations? Or will they place actions of both kinds among movements, and among actualizations? They would no doubt classify walking, which is an absolute thing, as movement; and thinking, which is a verb without passive voice, as an actualization. Otherwise the Aristotelians will be obliged to insist that there is nothing active in walking or thinking. But if walking and thinking do not belong to the category of acting, it will be necessary to explain to what they do belong. Will it be said that thinking relates to the thinkable (the intelligible), as intellection does, because sensation relates to the sense-object? If sensation be related to the sense-object, why do they not equally relate “sensing” (feeling) to the sense-object? Sensation, relating to something else, has a relation with that thing; but, besides that relation, it has the property of being an “action” or an “experience” (or, reaction). If therefore reaction (or, suffering), besides belonging to something else, or depending on something else, has the property of itself being something, like actualization, then walking, besides belonging to something else (to the feet), and depending on something else (on the motive power), nevertheless by itself possesses the property of being movement. In this case, it will have to be recognized that intellection, besides being a relation, by itself also is a movement or an actualization. [Ennead VI,1 (42) 18]

What are we to say if there be no suffering? We might answer that the actualization of him who acts is simply present in such a thing (without correlative reaction). There are thus two manners of acting; to act within oneself, and to act outside of oneself. No more will it then be said that the first mode is proper acting, and the second reacting, but that there are two ways of acting outside of oneself, acting and reacting. For instance, writing is an operation in which one acts on something else without a correlative reaction, because in writing one produces nothing but the very actualization of writing, and not something else, like experiencing; for the quality of writing that has been produced is nothing that reacts (or, experiences). As to walking, though the earth be stepped on by the feet, it does not react (or, experience) as a consequence. On the contrary, if it be the body of an animal that is trod under feet, it may be conceived that there is reaction, because one then thinks of the suffering endured by the animal thus trod on, and not of the walking; otherwise, this reaction would have been conceived before (the notion of this reaction would have been implied in the very notion of walking). [Ennead VI,1 (42) 19]

Thus, in everything, acting forms but a single genus along with reacting, which (by the Aristotelians) is considered its opposite. Reacting is what follows acting, without being its contrary; to be burnt, for instance, follows burning, but is not its contrary. In this case, the reaction is what results in the object itself from the fact of burning, or of being burnt, which form but one (process), whether the result be suffering, or something else, as, for instance, depreciation. It might be objected, When one (being) makes another suffer, is it not true that the one acts, and the other reacts? Here from a single actualization result two facts, an action, and a reaction. Besides, it is not necessary to include in the action the will to cause suffering; it has only produced something else as a result of which it causes suffering, something which occurring in the being that suffers, and being one single (occurrence), that causes suffering. What then is this one identical thing which is anterior to the suffering? When there is no suffering, is there not nevertheless a reaction in him in whom is the modification? For instance, in him who hears? No: to hear is not to react, and sensation is not really a reaction; but to suffer is to experience a reaction, and the reaction is not the contrary of the action (in the sense we have explained). [Ennead VI,1 (42) 19]

Let it be granted, then, that reaction is not the contrary of action. Nevertheless, as it differs therefrom, it could not share the same genus. If both reaction and action be movements, they share the same genus, that of alteration, which is a movement, as respects quality. When alteration proceeds from the being endowed with quality, is there any action, though this being remain impassible? Yes, for though impassible, it is active. It may be asked, is this being no longer active when it acts on some other object, as, for instance, by striking it, and then reacts? The answer is, that it would be active and passive simultaneously. If it be active, when it reacts — when, for instance, it rubs — why is it considered active rather than passive? Because it reacts in being rubbed while it rubs. Could we say that, because it is moved while moving, there were in it two movements? But how could there be two movements in it? Shall we assert that there is but one? In this case, how could the same movement be action and reaction simultaneously? Doubtless, it will be considered action, in so far as it proceeds from the mover; and reaction, inasmuch as it passes from the mover into the moved; and this, without ceasing to be one and the same thing. Would you say that reaction was a movement of a kind different from action? How then would the altering movement in a certain manner modify what reacts without an equal reaction in what is acting? But how (can we conceive) of reaction in that which acts on another object? Is the mere presence of the movement in the moved sufficient to constitute reaction? But if, on one hand, the (“seminal) reason” of the swan whitens, and on the other hand the swan that is being born becomes white, shall we say that the swan is passive in becoming what it is his nature to be? If he becomes white even after his birth, is he still passive? If one thing increase, and another thing be increased, will we admit that the thing that increases reacts? Will we rather attribute reaction to the thing qualified? If one thing be embellished, and another thing embellishes it, could we say that the embellished thing reacts? If however, the embellishing thing decreases, and, like tin, tarnishes, or on the contrary, like copper, takes on polish; shall we say that the tin acts, and the copper reacts (that is, “suffers”)? Besides, it would be impossible to say that that which learns is passive (suffering)? Would this be because the action of him who acts passes into him? But how could there be any reaction (“suffering”) since there is nothing there but an act? This action, no doubt, is not a reaction (“suffering”); but he who receives it is passive, because he participates in passivity. Indeed, from the fact that the learner does not himself act, it does not necessarily result that he is passive; for learning is not being struck, but grasping and discerning, as takes place with the process of vision. [Ennead VI,1 (42) 20]

The Stoics did well, indeed, to assign the principle of everything to the first rank; but they should not have recognized as principle, and accepted as “being” what was shapeless, passive, devoid of life and intelligence, dark, and indefinite. Because of the universe’s beauty, they are forced to introduce within it a divinity; but the latter derives His very essence from matter; He is composite and posterior (to matter); rather, He is no more than “modified matter.” Consequently, if matter be the subject, there must necessarily be outside of it some other principle which, acting upon matter, makes of it the subject of the qualities which He imparts thereto. If this principle resided in matter, and Himself were the subject; if, in other words, He were contemporaneous with matter, He could not reduce matter to the state of a subject. Now it is entirely impossible (for this principle) to constitute a subject concurrently with matter; for in such a case both would have to serve as subject to something higher; and what could it be, since there could be no further principle to make a subject of them, if all things had already been absorbed into this (concurrent) subject? A subject is necessarily subject to something; not to what it has in itself, but to that whose action it undergoes. Now, it undergoes the action of that which itself is not subject by itself; consequently, of that which is outside of itself. This point has evidently been overlooked by the Stoics. [Ennead VI,1 (42) 27]

What is the seat of a movement acting on an object by passing from internal power to actualization? Is it in the motor? How will that which is moved and which suffers be able to receive it? Is it in the movable element? Why does it not remain in the mover? Movement must therefore be considered as inseparable from the mover, although not exclusively; it must pass from the mover into the mobile (element) without ceasing to be connected with the mover, and it must pass from the mover to the moved like a breath (or influx). When the motive power produces locomotion, it gives us an impulse and makes us change place ceaselessly; when it is calorific, it heats; when, meeting matter, it imparts thereto its natural organization, and produces increase; when it removes something from an object, this object decreases because it is capable thereof; last, when it is the generative power which enters into action, generation occurs; but if this generative power be weaker than the destructive power, there occurs destruction, not of what is already produced, but of what was in the process of production. Likewise, convalescence takes place as soon as the force capable of producing health acts and dominates; and sickness occurs, when the opposite power produces a contrary effect. Consequently, movement must be studied not only in the things in which it is produced, but also in those that produce it or transmit it. The property of movement consists therefore in being a movement endowed with some particular quality, or being something definite in a particular thing. [Ennead VI,3 (44) 23]

Let us now examine the different kinds of movements. Shall we classify movements of displacement in movements upwards and downwards, rectilinear or curvilinear, or in movements of animate and inanimate beings? There is indeed a difference between the movement of inanimate beings, and that of animate beings; and these latter have different kinds of motion, such as walking, flying, and swimming. Their movements could also be analyzed in two other ways, according as it was conformable to, or against their nature; but this would not explain the outer differences of movements. Perhaps the movements themselves produce these differences, and do not exist without them; nevertheless, it is nature that seems to be the principle of the movements, and of their exterior differences. It would further be possible to classify movements as natural, artificial, and voluntary; of the natural, there are alteration and destruction; of the artificial, there are the building of houses, and construction of vessels; of the voluntary, there are meditation, learning, devoting oneself to political occupations, and, in general, speaking and acting. Last, we might, in growth, alteration and generation, distinguish the natural movement, and that contrary to nature; or even establish a classification founded on the nature of the subjects in which these movements occur. [Ennead VI,3 (44) 26]

We have demonstrated that acting and experiencing were movements; that, among the movements, some are absolute, while others constitute actions or passions. [Ennead VI,3 (44) 28]

It may further be objected that the wise man might lose consciousness, if overwhelmed by disease, or the malice of magic. Would he still remain happy? Either he will remain virtuous, being only fallen asleep; in which case he might continue to be happy, since no one claims he must lose happiness because of sleep, inasmuch as no reckoning of the time spent in this condition is kept, and as he is none the less considered happy for life. On the other hand, if unconsciousness be held to terminate virtue, the question at issue is given up; for, supposing that he continues to be virtuous, the question at issue was, whether he remain happy so long as he remains virtuous. It might indeed still be objected that he cannot be happy if he remain virtuous without feeling it, without acting in conformity with virtue. Our answer is that a man would not be any less handsome or healthy for being so unconsciously. Likewise, he would not be any less wise merely for lack of consciousness thereof. [Ennead I,4 (46) 9]

Granting these premises, we may start out on an explanation of the above mentioned difficulties. For in the world we will find remarkable traces of the Providence and divine Power from which it proceeds. Let us take first, the actions of souls who do evil voluntarily; the actions of the wicked who, for instance, harm virtuous men, or other men equally evil. Providence need not be held responsible for the wickedness of these souls. The cause should be sought in the voluntary determinations of those souls themselves. For we have proved that the souls have characteristic motions, and that while here below they are not pure, but rather are animals (as would naturally be the case with souls united to bodies). Now, it is not surprising that, finding themselves in such a condition, they would live conformably to that condition. Indeed, it is not the formation of the world that made them descend here below. Even before the world existed, they were already disposed to form part of it, to busy themselves with it, to infuse it with life, to administer it, and in it to exert their power in a characteristic manner, either by presiding over its (issues), and by communicating to it something of their power, or by descending into it, or by acting in respect to the world each in its individual manner. The latter question, however, does not refer to the subject we are now considering; here it will be sufficient to show that, however these circumstances occur, Providence is not to be blamed. [Ennead III,2 (47) 7]

Man is therefore not the best being in the universe; according to his choice he occupies an intermediate rank. In the place he occupies, however, he is not abandoned by Providence, which ever leads him back to divine things by the numerous means it possesses to cause the triumph of virtue. That is the reason why men have never lost rationality, and why, to some degree, they always participate in wisdom, intelligence, art, and the justice that regulates their mutual relations. Even when one wrongs another, he is still given credit for acting in justice to himself, and he is treated according to his deserts. Besides, man, as a creature, is handsome, as handsome as possible, and, by the part he plays in the universe, he is superior to all the animals that dwell here below. [Ennead III,2 (47) 9]

Besides, if this world contain both bad and good people, and if the latter play the greater part in the world, there will take place that which is seen in dramas where the poet, at times, imposes his ideas on the actors, and again at others relies on their ingenuity. The obtaining of the first, second or third rank by an actor does not depend on the poet. The poet only assigns to each the part he is capable of filling, and assigns to him a suitable place. Likewise (in the world), each one occupies his assigned place, and the bad man, as well as the good one, has the place that suits him. Each one, according to his nature and character, comes to occupy the place that suits him, and that he had chosen, and then speaks and acts with piety if he be good, and impiously, if he be evil. Before the beginning of the drama, the actors already had their proper characters; they only developed it. In dramas composed by men, it is the poet who assigns their parts to the actors; and the latter are responsible only for the efficiency or inefficiency of their acting; for they have nothing to do but repeat the words of the poet. But in this drama (of life), of which men imitate certain parts when their nature is poetic, it is the soul that is the actor. This actor receives his part from the creator, as stage-actors receive from the poet their masks, garments, their purple robe, or their rags. Thus in the drama of the world it is not from chance that the soul receives her part. [Ennead III,2 (47) 17]

Consequently, our evils are the consequences (of our actions); they are its necessary effects, not that we are carried away by Providence, but in the sense that we obey an impulsion whose principle is in ourselves. We ourselves then indeed try to reattach our acts to the plan of Providence, but we cannot conform their consequences to its will; our acts, therefore, conform either to our will, or to other things in the universe, which, acting on us, do not produce in us an affection conformed to the intentions of Providence. In fact, the same cause does not act identically on different beings, for the effects experienced by each differ according to their nature. Thus Helena causes emotions in Paris which differ from those of Idumeneus. Likewise, the handsome man produces on a handsome man an effect different from that of the intemperate man on the intemperate; the handsome and temperate man acts differently on the handsome and temperate man than on the intemperate; and than the intemperate on himself. The deed done by the intemperate man is done neither by Providence, nor according to Providence. Neither is the deed done by the temperate man done by Providence; since he does it himself; but it conforms to Providence, because it conforms to the Reason (of the universe). Thus, when a man has done something good for his health, it is he himself who has done it, but he thereby conforms to the reason of the physician; for it is the physician who teaches him, by means of his art, what things are healthy or unhealthy; but when a man has done something injurious to his health, it is he himself who has done it, and he does it against the providence of the physician. [Ennead III,3 (48) 5]

Now there are two methods of participation in the Good: the first, is to become similar to it; the second is to direct one’s activity towards it. If then the direction of one’s desire and one’s action towards the better principle be a good, then can the absolute good itself neither regard nor desire any other thing, remaining in abiding rest, being the source and principle of all actions conforming to nature, giving to other things the form of the Good, without acting on them, as they, on the contrary, direct their actions thereto. [Ennead I,7 (54) 1]