MacKenna-Plotinus: Logos

Besides, how could such a soul be a bond holding the four elements together when it is a later thing and rises from them? And this element - soul is described as possessing consciousness and will and the rest - what can we think? Furthermore, these teachers, in their contempt for this creation and this earth, proclaim that another earth has been made for them into which they are to enter when they depart. Now this new earth is the Reason-Form [the Logos] of our world. Why should they desire to live in the archetype of a world abhorrent to them? Then again, what is the origin of that pattern world? It would appear, from the theory, that the Maker had already declined towards the things of this sphere before that pattern came into being. Enneads   II,9,5

These considerations oblige us to state the Logos [the Reason-Principle of the Universe] once again, and more clearly, and to justify its nature. Enneads III,2,16

This Reason-Principle, then - let us dare the definition in the hope of conveying the truth - this Logos is not the Intellectual Principle unmingled, not the Absolute Divine Intellect; nor does it descend from the pure Soul alone; it is a dependent of that Soul while, in a sense, it is a radiation from both those divine Hypostases; the Intellectual Principle and the Soul - the Soul as conditioned by the Intellectual Principle engender this Logos which is a Life holding restfully a certain measure of Reason. Enneads III,2,16

But this Reason-Principle which emanates from the complete unity, divine Mind, and the complete unity Life [= Soul] - is neither a uniate complete Life nor a uniate complete divine Mind, nor does it give itself whole and all-including to its subject. [By an imperfect communication] it sets up a conflict of part against part: it produces imperfect things and so engenders and maintains war and attack, and thus its unity can be that only of a sum-total not of a thing undivided. At war with itself in the parts which it now exhibits, it has the unity, or harmony, of a drama torn with struggle. The drama, of course, brings the conflicting elements to one final harmony, weaving the entire story of the clashing characters into one thing; while in the Logos the conflict of the divergent elements rises within the one element, the Reason-Principle: the comparison therefore is rather with a harmony emerging directly from the conflicting elements themselves, and the question becomes what introduces clashing elements among these Reason-Principles. Enneads III,2,16

But does not this make it absurd to introduce Souls as responsible causes, some acting for good and some for evil? If we thus exonerate the Reason-Principle from any part in wickedness do we not also cancel its credit for the good? Why not simply take the doings of these actors for representative parts of the Reason-Principle as the doings of stage-actors are representative parts of the stage-drama? Why not admit that the Reason-Principle itself includes evil action as much as good action, and inspires the precise conduct of all its representatives? Would not this be all the more Plausible in that the universal drama is the completer creation and that the Reason-Principle is the source of all that exists? But this raises the question: "What motive could lead the Logos to produce evil?" Enneads III,2,18

But if this Reason-Principle [Nature] is in act - and produces by the process indicated - how can it have any part in Contemplation? To begin with, since in all its production it is stationary and intact, a Reason-Principle self-indwelling, it is in its own nature a Contemplative act. All doing must be guided by an Idea, and will therefore be distinct from that Idea: the Reason-Principle then, as accompanying and guiding the work, will be distinct from the work; not being action but Reason-Principle it is, necessarily, Contemplation. Taking the Reason-Principle, the Logos, in all its phases, the lowest and last springs from a mental act [in the higher Logos] and is itself a contemplation, though only in the sense of being contemplated, but above it stands the total Logos with its two distinguishable phases, first, that identified not as Nature but as All-Soul and, next, that operating in Nature and being itself the Nature-Principle. Enneads III,8,3

By their succession they are linked to the several Intellectual-Principles, for they are the expression, the Logos, of the Intellectual-Principles, of which they are the unfolding; brevity has opened out to multiplicity; by that point of their being which least belongs to the partial order, they are attached each to its own Intellectual original: they have already chosen the way of division; but to the extreme they cannot go; thus they keep, at once, identification and difference; each soul is permanently a unity [a self] and yet all are, in their total, one being. Enneads IV,3,5

Thus the gist of the matter is established: one soul the source of all; those others, as a many founded in that one, are, on the analogy of the Intellectual-Principle, at once divided and undivided; that Soul which abides in the Supreme is the one expression or Logos of the Intellectual-Principle, and from it spring other Reason-Principles, partial but immaterial, exactly as in the differentiation of the Supreme. Enneads IV,3,5

The Intellectual-Principle in the Supreme has ever been the sun of that sphere - let us accept that as the type of the creative Logos - and immediately upon it follows the Soul depending from it, stationary Soul from stationary Intelligence. But the Soul borders also upon the sun of this sphere, and it becomes the medium by which all is linked to the overworld; it plays the part of an interpreter between what emanates from that sphere down to this lower universe, and what rises - as far as, through soul, anything can - from the lower to the highest. Enneads IV,3,11