MacKenna-Plotinus: Absolute Beauty

This natural tendency must be made the starting-point to such a man; he must be drawn by the tone, rhythm and design in things of sense: he must learn to distinguish the material forms from the Authentic-Existent which is the source of all these correspondences and of the entire reasoned scheme in the work of art: he must be led to the Beauty that manifests itself through these forms; he must be shown that what ravished him was no other than the Harmony of the Intellectual world and the Beauty in that sphere, not some one shape of beauty but the All-Beauty, the Absolute Beauty; and the truths of philosophy must be implanted in him to lead him to faith in that which, unknowing it, he possesses within himself. What these truths are we will show later. Enneads   I,3,1

This, indeed, is the mood even of those who, having witnessed the manifestation of Gods or Supernals, can never again feel the old delight in the comeliness of material forms: what then are we to think of one that contemplates Absolute Beauty in Its essential integrity, no accumulation of flesh and matter, no dweller on earth or in the heavens - so perfect Its purity - far above all such things in that they are non-essential, composite, not primal but descending from This? Beholding this Being - the Choragos of all Existence, the Self-Intent that ever gives forth and never takes - resting, rapt, in the vision and possession of so lofty a loveliness, growing to Its likeness, what Beauty can the soul yet lack? For This, the Beauty supreme, the absolute, and the primal, fashions Its lovers   to Beauty and makes them also worthy of love. Enneads I,6,7

But such an evil in the eyes is no more than an occasion of evil, the Absolute Evil is something quite different. If then Vice is an impediment to the Soul, Vice is an occasion of evil but not Evil-Absolute. Virtue is not the Absolute Good, but a co-operator with it; and if Virtue is not the Absolute Good neither is Vice the Absolute Evil. Virtue is not the Absolute Beauty or the Absolute Good; neither, therefore, is Vice the Essential Ugliness or the Essential Evil. Enneads I,8,10

If, again, we mean beauty in relation to ourselves as spectators in whom it produces a certain experience, this Act [of production] is Motion - and none the less Motion by being directed towards Absolute Beauty. Enneads VI,2,18