Guthrie-Plotinus: ugly

(The Stoics), like almost everybody, insist that visual beauty consists in the proportion of the parts relatively to each other and to the whole, joined to the grace of colors. If then, as in this case, the beauty of bodies in general consists in the symmetry and just proportion of their parts, beauty could not consist of anything simple, and necessarily could not appear in anything but what was compound. Only the totality will be beautiful; the parts by themselves will possess no beauty; they will be beautiful only by their relation with the totality. Nevertheless, if the totality is beautiful, it would seem also necessary that the parts be beautiful; for indeed beauty could never result from the assemblage of ugly things. Beauty must therefore be spread among all the parts. According to the same doctrine, the colors which, like sunlight, are beautiful, are beautiful but simple, and those whose beauty is not derived from proportion, will also be excluded from the domain of beauty. According to this hypothesis, how will gold be beautiful? The brilliant lightning in the night, even the stars, would not be beautiful to contemplate. In the sphere of sounds, also, it would be necessary to insist that what is simple possesses no beauty. Still, in a beautiful harmony, every sound, even when isolated, is beautiful. While preserving the same proportions, the same countenance seems at one time beautiful, and at another ugly. Evidently, there is but one conclusion: namely, that proportion is not beauty itself, but that it derives its beauty from some superior principle. (This will appear more clearly from further examples). Let us examine occupations and utterances. If also their beauty depended on proportion, what would be the function of proportion when considering occupations, laws, studies and sciences? Relations of proportion could not obtain in scientific speculations; no, nor even in the mutual agreement of these speculations. On the other hand, even bad things may show a certain mutual agreement and harmony; as, for instance, were we to assert that wisdom is softening of the brain, and that justice is a generous folly. Here we have two revoltingly absurd statements, which agree perfectly, and harmonize mutually. Further, every virtue is a soul-beauty far truer than any that we have till now examined; yet it could not admit of proportion, as it involves neither size nor number. Again, granting that the soul is divided into several faculties, who will undertake to decide which combination of these faculties, or of the speculations to which the soul devotes itself, will produce beauty? Moreover (if beauty is but proportion), what beauty could be predicated of pure intelligence? [Ennead I,6 (1) 1]

Returning to our first consideration, we shall examine the nature of the element of beauty in bodies. It is something perceivable at the very first glance, something which the soul recognizes as kindred, and sympathetic to her own nature, which she welcomes and assimilates. But as soon as she meets an ugly object, she recoils, repudiates it, and rejects it as something foreign, towards which her real nature feels antipathy. That is the reason why the soul, being such as it is, namely, of an essence superior to all other beings, when she perceives an object kindred to her own nature, or which reveals only some traces of it, rejoices, is transported, compares this object with her own nature, thinks of herself, and of her intimate being as it would be impossible to fail to perceive this resemblance. [Ennead I,6 (1) 2]

How can both sensible and intelligible objects be beautiful? Because, as we said, sensible objects participate in a form. While a shapeless object, by nature capable of receiving shape (physical) and form (intelligible), remains without reason or form, it is ugly. That which remains completely foreign to all divine reason (a reason proceeding from the universal Soul), is absolute ugliness. Any object should be considered ugly which is not entirely molded by informing reason, the matter, not being able to receive perfectly the form (which the Soul gives it). On joining matter, form co-ordinates the different parts which are to compose unity, combines them, and by their harmony produces something which is a unit. Since (form) is one, that which it fashions will also have to be one, as far as a composite object can be one. When such an object has arrived at unity, beauty resides in it, and it communicates itself to the parts as well as to the whole. When it meets a whole, the parts of which are perfectly similar, it interpenetrates it evenly. Thus it would show itself now in an entire building, then in a single stone, later in art-products as well as in the works of nature. Thus bodies become beautiful by communion with (or, participation in) a reason descending upon it from the divine (universal Soul). [Ennead I,6 (1) 2]

But reason is not yet satisfied; reason wonders why these veritable beings give the soul which experiences them the property of exciting love, from which proceeds this halo of light which, so to speak, crowns all virtues. Consider the things contrary to these beautiful objects, and with them compare what may be ugly in the soul. If we can discover of what ugliness consists, and what is its cause, we shall have achieved an important element of the solution we are seeking. Let us picture to ourselves an ugly soul; she will be given up to intemperance; and be unjust, abandoned to a host of passions, troubled, full of fears caused by her cowardliness, and of envy by her degradation; she will be longing only for vile and perishable things; she will be entirely depraved, will love nothing but impure wishes, will have no life but the sensual, and will take pleasure in her turpitude. Would we not explain such a state by saying that under the very mask of beauty turpitude had invaded this soul, brutalized her, soiled her with all kinds of vices, rendering her incapable of a pure life, and pure sentiments, and had reduced her to an existence obscure, infected with evil, poisoned by lethal germs; that it had hindered her from contemplating anything she should, forcing her to remain solitary, because it misled her out from herself towards inferior and gloomy regions? The soul fallen into this state of impurity, seized with an irresistible inclination towards the things of sense, absorbed by her intercourse with the body, sunk into matter, and having even received it within herself, has changed form by her admixture with an inferior nature. Not otherwise would be a man fallen into slimy mud, who no longer would present to view his primitive beauty, and would exhibit only the appearance of the mud that had defiled him; his ugliness would be derived from something foreign; and to recover his pristine beauty he would have to wash off his defilement, and by purification be restored to what he once was. [Ennead I,6 (1) 5]

We have the right to say that the soul becomes ugly by mingling with the body, confusing herself with it, by inclining herself towards it. For a soul, ugliness consists in being impure, no longer unmingled, like gold tarnished by particles of earth. As soon as this dross is removed, and nothing but gold remains, then again it is beautiful, because separated from every foreign body, and is restored to its unique nature. Likewise the soul, released from the passions begotten by her intercourse with the body when she yields herself too much to it, delivered from exterior impressions, purified from the blemishes contracted from her alliance with the body — that is, reduced to herself, she lays aside that ugliness which is derived from a nature foreign to her. [Ennead I,6 (1) 5]

But how does he rise up thither? How does he have the power to do so? How does he learn to love? Here it is. The beauty seen in bodies is incidental; it consists in the shapes of which the bodies are the matter. Consequently the substance changes, and it is seen changing from beauty to ugliness. The body has only a borrowed beauty. Who imparted that beauty to the body? On the one hand, the presence of beauty; on the other, the actualization of the soul which fashioned the body, and which gave it the shape it possesses. But is the soul, by herself, absolute beauty? No, since some souls are wise and beautiful, while some others are foolish and ugly. It is therefore only by wisdom that the soul is beautiful. But from what is her wisdom derived? Necessarily from intelligence; not from the intelligence that is intelligent at some time, though not at others, but from the genuine Intelligence, which is beautiful on that very account. Shall we stop at Intelligence, as a first principle? Or shall we on the contrary still rise above it? Surely so, for Intelligence presents itself to us before the first Principle only because it is, so to speak, located in the antechamber of the Good. It bears all things within itself, and manifests them, so that it displays the image of the Good in manifoldness, while the Good itself remains in an absolute simple unity. [Ennead V,9 (5) 2]

Does matter continue to be evil when it happens to participate in the good? Yes, because it was formerly deprived of good, and did not possess it. That which lacks something, and obtains it, holds the middle between good and evil, if it be in the middle between the two. But that which possesses nothing, that which is in indigence, or rather that which is indigence itself, must necessarily be evil; for it is not indigence of wealth, but indigence of wisdom, of virtue, of beauty, of vigor, of shape, of form, of quality. How, indeed, could such a thing not be shapeless, absolutely ugly and evil? [Ennead II,4 (12) 16]

This was no doubt the thought present to Plato when he rightly said, “These imitations of the eternal beings which enter into matter, and which issue therefrom.” Not without good reason did he employ the terms “enter” and “issue”; he wanted us carefully to scrutinize the manner in which matter participates in ideas. When Plato thus tries to clear up how matter participates in ideas, his object is to show, not how ideas enter into matter, as before so many have believed, but their condition within it. Doubtless, it does seem astonishing that matter remains impassible in respect to the ideas that are present therein, while the things that enter in it are affected by each other. We nevertheless have to acknowledge that the things which enter into matter expel their predecessors, and that it is only the composite that is affected. Nevertheless it is not every kind of composite that is affected, but only that composite that happens to need the thing that was introduced or expelled, so that its constitution becomes defective by the absence of that (quality), or more complete by its presence. Nothing is added to the nature of matter, however, by the introduction of anything; the presence of that thing does not make matter what it is, and matter loses nothing by its absence; matter remains what it was since its origin. To be ornamented is to the interest of something that admits of order or ornament; it can receive that ornament without being changed, when it only puts it on, so to speak. But if this ornament penetrate into it as something that forms part of its nature, it then cannot receive it without being altered, without ceasing to be what it was before, as for instance, ceasing to be ugly; without, by that very fact, changing; without, for instance, becoming beautiful, though ugly before. Therefore if matter become beautiful, though before ugly, it ceases to be what it was before; namely, ugly; so that on being adorned it loses its nature, so much the more as it was ugly only accidentally. Being ugly enough to be ugliness itself, it could not participate in beauty; being bad enough to be badness itself, it could not participate in goodness. Therefore matter participates in the ideas without being affected; and consequently, this participation must operate in another manner; and, for instance, consist in appearance. This kind of participation solves the problem we had set ourselves; it enables us to understand how, while being evil, matter can aspire to the Good without ceasing to be what it was, in spite of its participation in the Good. Indeed if this participation operate in a manner such that matter remains without alteration, as we say, and if it always continue to be what it was, there is no reason to be surprised if, though being evil, it can participate in the Good; it does not swerve from its manner of existence. On one hand, as for her, this participation is unavoidable, it participates as long as it endures; on the other hand, as matter continues to be what it is, by virtue of the kind of participation which does not interfere with its nature, it undergoes no alteration on the part of the principle which gives it something; it always remains as bad as it was, because its nature persists. If matter really participated in the Good, if matter were really modified thereby, its nature would no longer be evil. Therefore, the statement that matter is evil is true enough if it be considered to imply that it is impassible in respect to Good; and this really amounts to saying that it is entirely impassible. [Ennead III,6 (26) 11]

Further, the cause of beauty must be either ugly, beautiful or indifferent. If it were ugly, it could not produce its opposite. If it were indifferent, it would have no more reason to produce that which is beautiful, than that which is ugly. Therefore nature which produces so many beautiful objects must in herself possess a very superior beauty. But as we do not have the habit of seeing the interior of things, which remains unknown, we attach ourselves only to their exterior, forgetting that which moves us hides itself within them; and (in this habit of ours) we resemble (Narcissus  ), who, on seeing his image, and not knowing whence it came, would try to catch it. It is not the mass of an object that constitutes its attractiveness for us, for it is not in mass that beauty inheres. This is revealed by the beauty found in the sciences, in the virtues, and in general in the souls, where it shines more truly and brilliantly on contemplation and admiration of its inherent wisdom. Then we do not regard the countenance, which may be ugly; we leave aside the form of the body, to attach ourselves exclusively to interior beauty. If, carried away by the emotion that such a spectacle should cause, you should not proclaim its beauty; and if, on directing your gaze within yourself, you should not experience all the charm of beauty, then you search for intelligible beauty, by such a method, would be vain; for you would seek it only with what is impure and ugly. That is why these discussions are not intended for all men. But if you have recognized beauty within yourself they you may rise to the reminiscence (of intelligible beauty). [Ennead V,8 (31) 2]

The universal Soul is beautiful also; but she is less beautiful than (Saturn), because she is his image, and because, however beautiful she may by nature be, she is still more beautiful when contemplating her principle. Therefore if the universal Soul — to use clearer terms — and if even Venus (as subordinate to him, Jupiter), possess beauty, what must be that of Intelligence? If by their nature the universal Soul and Venus receive their beauty from some other principle, from whom would they derive the beauty they intrinsically possess, and that which they acquire? As to us, we are beautiful when we belong to ourselves; and we are ugly when we lower ourselves to an inferior nature. Again, we are beautiful when we know ourselves, and ugly when we ignore ourselves. It is therefore in the intelligible world that beauty shines and radiates. Are these considerations sufficient for a clear knowledge of the intelligible world, or must we engage in a further effort to accomplish this? [Ennead V,8 (31) 13]

The (Gnostics) pretend that they have no appreciation for the beauty of the world, and that they make no distinction between beautiful and ugly bodies. In this case they should not distinguish good from bad taste, nor recognize beauty in the sciences, in contemplation, nor in the divinity itself; for sense-beings possess beauty only by participation in first principles. If they be not beautiful, neither could those first principles be such. Consequently sense-beings are beautiful, though less beautiful than intelligible beings. The scorn professed by (Gnostics) for sense-beauty is praiseworthy enough if it refer only to the beauty of women and of young boys, and if its only purpose be to lead to chastity. But you may be sure that they do not boast of scorning what is ugly, they only boast of scorning what they had at first recognized and loved as being beautiful. [Ennead II,9 (33) 17]

We must further observe that it is not the same beauty that is seen in the parts and in the whole, in individuals and in the universe; that there are beauties great enough in sense-objects and in individuals, for instance, in the guardians, to lead us to admire their creator, and to prove to us that they indeed are works of his. In this way we may attain a conception of the unspeakable beauty of the universal Soul, if we do not attach ourselves to sense-objects, and if, without scorning them, we know how to rise to intelligible entities. If the interior of a sense-being be beautiful, we shall judge that it is in harmony with its exterior beauty. If it be ugly we will consider that it is inferior to its principle. But it is impossible for a being really to be beautiful in its exterior while ugly within; for the exterior is beautiful only in so far as it is dominated by the interior. Those who are called beautiful, but who are ugly within, are externally beautiful only deceptively. In contradiction to those who claim that there are men who possess a beautiful body and an ugly soul, I insist that such never existed, and that it was a mistake to consider them beautiful. If such men were ever seen, their interior ugliness was accidental, and also their soul was, by nature, beautiful; for we often meet here below obstacles which hinder us from reaching our goal. But the universe cannot by any obstacle be hindered from possessing interior beauty in the same way that it possesses exterior beauty. The beings to whom nature has not, from the beginning, given perfection, may indeed not attain their goal, and consequently may become perverted; but the universe never was a child, nor imperfect; it did not develop, and received no physical increase. Such a physical increase would have been impossible inasmuch as it already possessed everything. Nor could we admit that its Soul had ever, in the course of time, gained any increase. But even if this were granted to the (Gnostics), this could not constitute any evil. [Ennead II,9 (33) 17]

But what is there to be feared in magnitude? If (the essence) that has increased could feel (it would feel that which in itself has become evil; for) it would feel that it had issued from itself, and had even gone to a great distance (from itself). No (essence), indeed, seeks that which is other than itself; every (essence) seeks itself. The movement by which (an essence) issues from itself is caused either by “audacity,” or necessity. Every (being) exists in the highest degree not when it becomes manifold or great, but when it belongs to itself; now this occurs when it concentrates upon itself. That which desires to become great in some other manner is ignorant of that in which true greatness consists; instead of proceeding towards its legitimate goal, it turns towards the outside. Now, on the contrary, to turn towards oneself, is to remain in oneself. The demonstration of this may be seen in that which participates in greatness; if (the being) develop itself so that each of its parts exist apart, each part will indeed exist, but (the being) will no longer be what it originally was. To remain what it is, all its parts must converge towards unity; so that, to be what it was in its being, it should not be large, but single. When it possesses magnitude, and quantity inheres in it, it is destroyed, while when it possesses unity, it possesses itself. Doubtless the universe is both great and beautiful; but it is beautiful only so far as the unity holds it in from dissipating into infinity. Besides, if it be beautiful, it is not because it is great, but because it participates in beauty; now, if it need participation in beauty, it is only because it has become so large. Indeed, isolated from beauty, and considered in itself as great, it is ugly. From this point of view, what is great is with beauty in the relation obtaining between matter and form, because what needs adornment is manifold; consequently, what is great has so much more need of being adorned and is so much more ugly (as it is great). [Ennead VI,6 (34) 1]

When the soul perceives the light thus shed by the Good on the intelligible entities, she flies towards them, tasting an indescribable bliss in the contemplation of the light that illuminates them. Likewise here below, we do not like the bodies for themselves, but for the beauty that shimmers in them. Each intelligible entity owes its nature to none but to itself; but it only becomes desirable when the Good, so to speak, illuminates and colors it, breathing grace into the desired object, and inspiring love into the desiring heart. As soon as the soul reacts to the influence of the Good, she feels emotion, swells with fancy, is stung by desire, and love is born within her. Before reacting to the influence of good she feels no transports when facing the beauty of Intelligence; for this beauty is dead so long as it is not irradiated by the Good. Consequently the soul still remains depressed and bowed down, cold and torpid, in front of Intelligence. But as soon as she feels the gentle warmth of the Good, she is refreshed, she awakes, and spreads her wings; and instead of stopping to admire the Intelligence in front of her, she rises by the aid of reminiscence to a still higher principle (the First). So long as there is anything superior to what she possesses, she rises, allured by her natural leaning for the Inspirer of love; so she passes through the region of Intelligence, and stops at the Good because there is nothing beyond. So long as she contemplates Intelligence, she surely enjoys a noble and magnificent spectacle, but she does not yet fully possess the object of her search. Such would be a human countenance, which, in spite of its beauty, is not attractive, for lack of the charm of grace. Beauty is, indeed, rather the splendor that enhalos proportion, than proportion itself; and it is properly this splendor which challenges love. Why indeed does beauty shine radiantly on the face of a living person, and yet leave hardly a trace after death, even when the complexion and features are not yet marred? Why, among different statues, do the most life-like ones seem more beautiful than others that may be better proportioned? Why is a living being, though ugly, more beautiful than a pictured one, even though the latter were the most handsome imaginable? The secret is that the living form seems to us most desirable, because it possesses a living soul, because it is most assimilated to the Good; because the soul is colored by the light of the Good, and because, enlightened by the Good she is more wakeful and lighter, and because in her turn she lightens the burdens, awakes, and causes participation of the Good, so far as she may be able, in the body within which she resides. [Ennead VI,7 (38) 22]

It must therefore be granted that in the things of which we first spoke, such as knowing and doing (active being), there is an actualization, an habituation, and an actualizing reason; while in the other things there is a participation in form and reason. For indeed, if the bodies were the only essences, the relative habituations would bear no reality. If, on the contrary, we assign the first rank in existence to incorporeal things, and to the reasons, and if we define the habituations as reasons that participate in the forms, we should say that what is double has the double for its cause, and what is half, has the half as its cause; and that other things are what they are named because of the presence of the same, or of the contrary form. Now either two things simultaneously receive one the double, and the other the half, and one greatness, and the other smallness; or contraries such as resemblance and dissimilarity are to be found in each thing, as well as identity and difference; and everything finds itself simultaneously similar and dissimilar, identical and different. It might be objected that if one object were ugly, and another uglier still, they are such because they participate in a form. Not so; for if these two objects be equally ugly, they are equal in the absence of the form. If they be unequally ugly, the least ugly is such because it participates in a form which does not sufficiently subdue matter, and the uglier is such because it participates in a form which does so still less. They could, besides, be judged from the standpoint of deprivation, comparing them to each other as if they contained some form. The sensation is a form that results from two things (of that which feels, and that which is felt); so also with knowledge. In respect to the thing possessed, possession is an act which contains, which has a kind of efficacy. As to mensuration, which is an actualization of measure, in respect of the measured object, it consists in a reason. [Ennead VI,1 (42) 9]

Why then do we not also classify the beautiful among the relatives? Because beauty is such by itself, because it constitutes a quality, while “more beautiful” is a relative. Nevertheless the thing which is called beautiful would sometimes appear ugly, if it were compared to some other, as, for instance, if we were to contrast the beauty of men with that of the gods; hence the expression (of Heraclitus  ’s): “The most beautiful of monkeys would be ugly if compared with an animal of a different kind.” When beauty is predicated of something, it is considered in itself; it might perhaps be called more beautiful or more ugly if it were compared to another. Hence it results that, in the genus of which we are treating, an object is in itself great because of the presence of greatness, but not in respect to some other. Otherwise, we would be obliged to deny that a thing was beautiful because of the existence of some more beautiful one. Neither therefore must we deny that a thing is great because there is only one greater than it; for “greater” could not exist without “great,” any more than “more beautiful” without “beautiful.” [Ennead VI,3 (44) 11]

It is by quality that we distinguish the differences which inhere in being, as well as the actualizations, the beautiful or ugly actions, and in general, all that is particular. Only very rarely do we discover in quantity differences which constitute species; so much is this the case, that it is generally divided by its characteristic qualities. We must therefore leave quantity aside, and that leads us to wonder how we may divide quality itself (since it is made use of to distinguish other things). [Ennead VI,3 (44) 17]

It is constantly objected that fortune maltreats the good, and favors the evil in opposition to the agreement that ought to exist between virtue and happiness. The true answer to this is that no harm can happen to the righteous man, and no good to the vicious man. Other objectors ask why one man is exposed to what is contrary to nature, while the other obtains what conforms thereto. How can distributive justice be said to obtain in this world? If, however, the obtaining of what conforms to nature do not increase the happiness of the virtuous man, and if being exposed to what is contrary to nature do not diminish the wickedness of the vicious man, of what importance (as thought Plato), are either of these conditions? Neither will it matter if the vicious man be handsome, or the virtuous man ugly. [Ennead III,2 (47) 6]

The real cause of love is fourfold: the desire of beauty; our soul’s innate notion of beauty; our soul’s affinity with beauty, and our soul’s instinctive sentiment of this affinity. (Therefore as beauty lies at the root of love, so) ugliness is contrary to nature and divinity. In fact, when Nature wants to create, she contemplates what is beautiful, determinate, and comprehended within the (Pythagorean) “sphere” of the Good. On the contrary, the (Pythagorean) “indeterminate” is ugly, and belongs to the other system. Besides, Nature herself owes her origin to the Good, and, therefore, also to the Beautiful. Now, as soon as one is attracted by an object, because one is united to it by a secret affinity, he experiences for the images of this object a sentiment of sympathy. We could not explain its origin, or assign its cause on any other hypothesis, even were we to limit ourselves to the consideration of physical love. Even this kind of love is a desire to procreate beauty, for it would be absurd to insist that that Nature, which aspires to create beautiful things, should aspire to procreate that which is ugly. [Ennead III,5 (50) 1]

How do we get to know vice and virtue? As to virtue, we know it by the very intelligence and by wisdom; for wisdom knows itself. But how can we know vice? Just as we observe that an object is not in itself straight, by applying a rule, so we discern vice by this characteristic, that it does not comport itself with virtue. But do we, or do we not have direct intuition thereof? We do not have the intuition of absolute vice, because it is indeterminate. We know it, therefore, by a kind of abstraction, observing that virtue is entirely lacking. We cognize relative vice by noticing that it lacks some part of virtue. We see a part of virtue, and, by this part, judging what is lacking in order completely to constitute the form (of virtue), we call vice what is lacking to it; defining as the indeterminate (evil) what is deprived of virtue. Similarly with matter. If, for instance, we notice a figure that is ugly because its (“seminal) reason,” being unable to dominate matter, has been unable to hide its deformity, we notice ugliness by what is lacking to form. [Ennead I,8 (51) 9]