Guthrie-Plotinus: creator

Applying this conception to the universe, we rise to Intelligence, recognizing therein the demiurgic creator of the world. It was in receiving from it its shapes by the intermediation of another principle, the universal Soul, that the (material) substances became water, air, earth and fire. On the one hand, the Soul shapes the four elements of the world; on the other, she receives from Intelligence the (seminal) reasons, as the souls of the artists themselves receive from the arts the reasons which they work out. In Intelligence, therefore, there is a part which is the form of the soul; it is intelligence considered, as shape. There is another which imparts shape, like the sculptor who gives the metal the shape of the statue, and which in itself possesses all it gives. Now the (shapes) which the Intelligence imparts to the soul connect with the truth as closely as possible, while those which the soul imparts to the body are only images and appearances. [Ennead V,9 (5) 3]

Last, we have the divine Plato, who has said so many beautiful things about the soul. In his dialogues he often spoke of the descent of the soul into the body, so that we have the right to expect from him something clearer. Unfortunately, he is not always sufficiently in agreement with himself to enable one to. follow his thought. In general, he depreciates corporeal things; he deplores the dealings between the soul and the body; insists that the soul is chained down to it, and that she is buried in it as in a tomb. He attaches much importance to the maxim taught in the mysteries that the soul here below is as in a prison. What Plato calls the “cavern” and Empedocles   calls the “grotto,” means no doubt the sense-world. To break her chains, and to issue from the cavern, means the soul’s rising to the intelligible world. In the Phaedrus  , Plato asserts that the cause of the fall of the soul is the loss of her wings; that after having once more ascended on high, she is brought back here below by the periods; that there are souls sent down into this world by judgments, fates, conditions, and necessity; still, at the same time, he finds fault with the “descent” of the soul into the body. But, speaking of the universe in the Timaeus  , he praises the world, and calls it a blissful divinity. He states that the demiurgic creator, being good, gave it a soul to make it intelligent, because without the soul, the universe could not have been as intelligent as it ought to have been. Consequently, the purpose of the introduction of the universal Soul into the world, and similarly of each of our souls was only to achieve the perfection of the world; for it was necessary for the sense-world to contain animals equal in kind and numbers to those contained in the intelligible world. [Ennead IV,8 (6) 1]

This is how Plato establishes three degrees in the hierarchy of being: “Everything is around the king of all.” He is here speaking of first rank entities. He adds, “What is of the second order is around the second principle; and what is of the third order is around the third principle.” Plato further says that “God is the father of the cause.” By cause, he means Intelligence; for, in the system of Plato, it is Intelligence which plays the part of demiurgic creator. Plato adds that it is this power that forms the Soul in the cup. As the cause is intelligence, Plato applies the name of father to the absolute Good, the principle superior to Intelligence and superior to “Being.” In several passages he calls the Idea “existence and intelligence.” He therefore really teaches that Intelligence is begotten from the Good, and the Soul from Intelligence. This teaching, indeed, is not new; it has been taught from the most ancient times, but without being brought out in technical terms. We claim to be no more than the interpreters of the earlier philosophers, and to show by the very testimony of Plato that they held the same views as we do. [Ennead V,1 (10) 8]

(According to Aristotle  ), Empedocles thinks matter consists of elements; but this opinion is refuted by the decay to which they are exposed. (According to Aristotle), Anaxagoras supposes that matter is a mixture and, instead of saying that this (mixture) is capable of becoming all things, he insists that it contains all things in actualization. Thus he annihilates the intelligence that he had introduced into the world; for, according to him, it is not intelligence that endows all the rest with shape and form; it is contemporaneous with matter, instead of preceding it. Now it is impossible for intelligence to be the contemporary of matter, for if mixture participate in essence, then must essence precede it; if, however, essence itself be the mixture, they will need some third principle. Therefore if the demiurgic creator necessarily precede, what need was there for the forms in miniature to exist in matter, for intelligence to unravel their inextricable confusion, when it is possible to predicate qualities of matter, because matter had none of its own, and thus to subject matter entirely to shape? Besides, how could (the demiurgic creator) then be in all? [Ennead II,4 (12) 7]

(According to Aristotle’s account of Democritus  ), neither could the atoms fulfil the part of matter because they are nothing (as before thought Cicero). Every body is divisible to infinity. (Against the system of the atoms) might further be alleged the continuity and humidity of bodies. Besides nothing can exist without intelligence and soul, which could not be composed of atoms. Nothing with a nature different from the atoms could produce anything with the atoms, because no demiurgic creator could produce something with a matter that lacked continuity. Many other objections against this system have and can be made; but further discussion is unnecessary. [Ennead II,4 (12) 7]

The infinite seems born of the infinity of the One, either of its power, or eternity; there is no infinity in the One, but the One is creator of the infinite. How can there be infinity simultaneously above and below (in the One and in matter)? Because there are two infinities (the infinite and the indefinite; the infinite in the One, the indefinite in matter). Between them obtains the same difference as the archetype and its image. Is the infinite here below less infinite? On the contrary, it is more so. By the mere fact that the image is far from veritable “being,” it is more infinite. Infinity is greater in that which is less determinate (as thought Aristotle). Now that which is more distant from good is further in evil. Therefore the infinite on high, possessing the more essence, is the ideal infinite; here below, as the infinite possesses less essence, because it is far from essence and truth, it degenerates into the image of essence, and is the truer (indefinite) infinite. [Ennead II,4 (12) 15]

(Following both Hesiod and the Gnostics, Plotinos   relates that) a woman was formed by Prometheus, and adorned by the other divinities. This piece of clay, after having been kneaded with water, was endowed with a human voice, and received a form similar to the deities. Then Venus, the Graces and the other deities each gave her a gift. That is why this woman was called Pandora, because (as her name implies, in Greek) she had received gifts, which had been given by all the divinities. All, in fact, made some present to this piece of clay already fashioned by some kind of providence (“Prometheia,” or “Prometheus”). When Epimetheus rejects the gift of Prometheus, it only indicates that it is better to live in the intelligible world. The creator of Pandora, however, is bound because he seems attached to his work. But this bond is entirely exterior, and it is broken by Hercules, because the latter possesses a liberating power. Whatever other interpretation the myth of Pandora may receive, it must still signify gifts received by the world, and its import must agree with our teaching. [Ennead IV,3 (27) 14]

Now let us turn away from the arts and consider the objects they imitate, such as natural beauties, namely, rational and irrational creatures, especially the more perfect, in which the creator was able to master matter, and endue it with the desired form. What then constitutes the beauty in these objects? Surely not (the physical characteristics, such as) blood or menstrual discharges, but the color and figure, which differ essentially therefrom; otherwise that which constitutes beauty is something indifferent — either something formless, or something that contains a simple nature (that is, the “seminal reason”), as does matter, for instance. [Ennead V,8 (31) 2]

Whence came the beauty of that Helena about whom so many battles were fought? Whence comes the beauty of so many women comparable to Venus? Whence came the beauty of Venus herself? Whence comes the beauty of a perfect man, or that of one of those divinities who reveal themselves to our eyes, or who, without showing themselves, nevertheless possess a visible beauty? Does it not everywhere originate from the creating principle that passes into the creature, just as, in the art considered above, the beauty passes from the artist into the work? It would be unreasonable to assert that the creatures and the (“seminal) reason” united to matter are beautiful, while denying beauty to the “reason” which is not united to matter while still residing in the creator in a primary and incorporeal condition; and to assert that in order to become beautiful this reason must become united to matter. For if mass, as such, was beautiful, then the creative reason would be beautiful only in so far as it was mass. If form, whether in a large or small object, equally touches and moves the soul of the beholder, evidently beauty does not depend on the size of the mass. Still another proof of this is that so long as the form of the object remains exterior to the soul, and as we do not perceive it, it leaves us insensible; but as soon as it penetrates into the soul, it moves us. Now form alone can penetrate into the soul by the eyes; for great objects could not enter by so narrow a space. In this respect, the size of the object contrasts, because that which is great is not mass, but form. [Ennead V,8 (31) 2]

It is then by all of us agreed that the universe proceeds from a superior Principle which possesses a certain perfection. The (Gnostic) question then arises whether this Principle, before creating, reflected that it was necessary first to form the globe, and to suspend it to the middle of the world; then, to produce the water, and to spread it over the surface of the earth; later creating successively the other things contained in the space between the earth and heaven. Further, did He give birth to all the animals only after having to Himself represented all their forms, and exterior parts? Did the Creator undertake the work only after having conceived the plan of the world in its totality and in its details? Certainly not; He cannot have submitted to all such considerations. How could He, never having seen anything such, have been inclined to them? Neither could He have borrowed the idea of the things He was to produce, and then carried them out as some workman, by the use of his hands and feet; for hands and feet are created entities. The only hypothesis left is that all things were within some one other thing (that is, matter, which is their substrate). (“Being”) was next to this other thing (matter), and as no interval separated them, He suddenly begot an image or representation of Himself, either by Himself, or by the intermediation of the universal Soul, or of some particular soul — which detail does not matter to our discussion here. [Ennead V,8 (31) 7]

Therefore, everything here below derives from above there, and is more beautiful in the superior world; for forms here below are mingled with matter; on high, they are pure. Thus this universe proceeds from the intelligible world, and is contained by the forms from beginning to end. First matter receives the forms of the elements, later receiving gradual accessions of other forms, so that ultimately matter becomes so buried under forms that it becomes difficult to recognize. It receives forms easily, because it (already) possesses a form which holds the lowest rank. Likewise, the producing Principle uses a form as model, and easily produces forms because it consists entirely of “being” and form; as a result, its work has been easy and universal, because itself was universal. Therefore it met no obstacle, and still exercises an absolute sovereignty. Even of the things that act as obstacles to each other, none, even until the present time, form an obstacle to the demiurgic (Creator), because He preserves His universality. That is why I am convinced that if even we were simultaneously the models, forms and essence of things, and if the form which produces here below were our essence, (that is, being), we would accomplish our work without trouble, though man, in his present state here below, produces (his individual body which is) a form different from himself; indeed, on becoming an individual, man ceased being universal. But on ceasing to be an individual, man, in the words of Plato, “soars in the ethereal region, and governs the whole world.” For, becoming universal, he administers the universe. [Ennead V,8 (31) 7]

It was to express this idea strikingly that Plato represents the demiurgic creator as admiring his handiwork, which would lead us also to admire the beauty both of the model and of the idea. After all, admiration of a work made to resemble a model amounts to admiration of the model itself. However there is no reason for astonishment at persons to whom this idea seems novel, for lovers  , and in general all those who admire visible beauty do not realize that they admire it only because (it is the image) of the intelligible beauty. That Plato referred to the model the admiration felt by the demiurgic (creator) for his work is proved by his adding to the words “he admired his work” the expression “and he conceived the purpose of rendering it still more similar to its model.” He betrays the beauty of the model by saying that the work is beautiful, and that it is the image of the model; for if this model were not sovereignly beautiful, and did not possess an unspeakable beauty, how could there be anything more beautiful than this visible world? It is therefore wrong to criticize this world; all that can be said of it, is that it is inferior to its model. [Ennead V,8 (31) 8]

Besides, as the (Gnostics) have no appreciation of the work of the demiurgic creator, nor for this earth, they insist that the divinity has created for them a new earth, which is destined to receive them when they shall have left here below, and which is the reason of the world. But what need do they have of inhabiting the model of this world that they pretend to hate? In any case, from where does this model come? According to them, the model was created only when its author inclined towards things here below. But what was the use of the model, if its creator busied himself considerably with the world to make a world inferior to the intelligible world which he possessed? If (the model were created) before the world, what could have been its use? Was it for the saved souls? Why therefore were those souls not saved (by remaining within the model)? Under this hypothesis the creation of the model was useless. If (the model, however, was created) after this world, its author derived it from this world, stealing the form away from matter; the experience that the souls had acquired in their earlier trials sufficed to teach them to seek their salvation. Last, if the (Gnostics) pretend to have, in their souls, received the form of the world, we have a new incomprehensible language. [Ennead II,9 (33) 5]

We hardly know what to say of the other new conceptions they have injected into the universe, such as exiles, antitypes, and repentances. If by “repentances” and “exiles” they mean certain states of the Soul (in the normal meaning of the word, where a soul) yields to repentance; and if by “antitypes” they mean the images of the intelligible beings that the Soul contemplates before contemplating the intelligible beings themselves, they are using meaningless words, invented merely as catchwords and terms for their individual sect; for they imagine such fictions merely because they have failed clearly to understand the ancient wisdom of the Greeks. Before them the Greeks, clearly and simply, had spoken of “ascensions” of souls that issued from the “cavern,” and which insensibly rise to a truer contemplation. The doctrines of these (Gnostics) are partly stolen from Plato, while the remainder, which were invented merely to form their own individual system, are innovations contrary to truth. It is from Plato that they borrowed their judgments, the rivers of Hades. They do speak of several intelligible principles, such as essence, intelligence, the second demiurgic creator or universal Soul; but all that comes from Plato’s Timaeus, which says, “Likewise as the ideas contained in the existing Organism were seen by Intelligence, so he [the creator of this universe] thought that the latter should contain similar and equally numerous (natures).” But, not clearly understanding Plato, the Gnostics here imagined (three principles), an intelligence at rest, which contains all (beings), a second intelligence that contemplates them (as they occur) in the first intelligence, and a third intelligence that thinks them discursively. They often consider this discursive intelligence as the creative soul, and they consider this to be the demiurgic creator mentioned by Plato, because they were entirely ignorant of the true nature of this demiurgic creator. In general, they alter entirely the idea of creation, as well as many other doctrines of Plato, and they give out an entirely erroneous interpretation thereof. They imagine that they alone have rightly conceived of intelligible nature, while Plato and many other divine intellects never attained thereto. By speaking of a multitude of intelligible principles, they think that they seem to possess an exact knowledge thereof, while really they degrade them, assimilating them to lower, and sensual beings, by increasing their number. The principles that exist on high must be reduced to the smallest number feasible; we must recognize that the principle below the First contains all (the essences), and so deny the existence of any intelligible (entities) outside of it, inasmuch as it contains all beings, by virtue of its being primary “Being,” of primary Intelligence, and of all that is beautiful beneath the First Himself. The Soul must be assigned to the third rank. The differences obtaining between souls must further be explained by the difference of their conditions or nature. [Ennead II,9 (33) 6]

If from the doctrines of the (Gnostics) we remove what they have borrowed from the teachings of the ancients, their remaining additions will be discovered as very unfortunate. Their polemic against (Greek philosophy) consists of an introduction of a great number of genealogies, and destructions, blaming the intercourse of the soul with the body, complaining of the universe, criticising its administration, identifying the demiurgic creator (that is, Intelligence) with the universal souls. [Ennead II,9 (33) 6]

To ask (as do the Gnostics) why the world was created, amounts to asking the reason of the existence of the universal Soul, and of the creation of the demiurgic creator himself. To ask such a question well characterizes men who first wish to find a principle of that which (in the world) is eternal, but who later opine that the demiurgic creator became the creating cause only as a result of an inclination or alteration. If indeed they be at all willing to listen to us fairly, we shall have to teach them the nature of these intelligible principles, to end their habit of scorning (those) venerable (intelligible) beings, and (to induce them to) pay these a deserved respect. No one, indeed, has the right to find fault with the constitution of the world, which reveals the greatness of intelligible nature. We are forced to recognize that the world is a beautiful and brilliant statue of the divinities, from the fact that the world achieved existence without beginning with an obscure life, such as that of the little organisms it contains, and which the productiveness of universal life never ceases to bring forth, by day or night; on the contrary, its life is continuous, clear, manifold, extended everywhere, and illustrating marvellous wisdom. It would be no more than natural that the world should not equal the model it imitates; otherwise, it would no longer be an imitation. It would be an error, however, to think that the world imitates its model badly; it lacks none of the things that could be contained by a beautiful and natural image; for it was necessary for this image to exist, without implying reasoning or skill. [Ennead II,9 (33) 8]

Neither will we controvert an assertion which overtops all their others in absurdity — we use this term for lack of a stronger. Here it is: “The Soul and another Wisdom inclined downwards towards things here below, either because the Soul first inclined downwards spontaneously, or because she was misled by Wisdom; or because (in Gnostic view), Soul and Wisdom were identical. The other souls descended here below together (with the Soul), as well as the “members of Wisdom,” and entered into bodies, probably human. Nevertheless the Soul, on account of which the other soul descended here below, did not herself descend. She did not incline, so to speak, but only illuminated the darkness. From this illumination was born in matter an image (Wisdom, the image of the Soul). Later was formed (the demiurgic creator, called) an image of the image, by means of matter or materiality, or of a principle by (Gnostics) designated by another name (the “Fruit of the fall”) — for they make use of many other names, for the purpose of increasing obscurity. This is how they derive their demiurgic creator. They also suppose that this demiurgic creator separated himself from his mother, Wisdom, and from him they deduce the whole world even to the extremity of the images.” The perpetration of such assertions amounts to a bitter sarcasm of the power that created the world. [Ennead II,9 (33) 10]

To begin with, if the Soul did not descend, if she limited herself to illuminating the darkness (which is synonymous with matter), by what right could it be asserted that the Soul inclined (downwards)? If indeed a kind of light issued from the Soul, this does not justify an inclination of the Soul, unless we admit the existence of something (darkness) beneath her, that the Soul approached the darkness by a local movement, and that, on arriving near it, the Soul illuminated it. On the contrary, if the Soul illuminated it while remaining self-contained, without doing anything to promote that illumination, why did the Soul alone illuminate the darkness? (According to the Gnostics) this occurred only after the Soul had conceived the Reason of the universe. Then only could the Soul illuminate the darkness, by virtue of this rational conception. But then, why did the Soul not create the world at the same time she illuminated the darkness, instead of waiting for the generation of (“psychic) images”? Further, why did this Reason of the world, which (the Gnostics) call the “foreign land,” and which was produced by the superior powers, as they say, not move its authors to that inclination? Last, why does this illuminated matter produce psychic images, and not bodies? (Wisdom, or) the image of the Soul does not seem to stand in need of darkness or matter. If the Soul create, then her image (Wisdom) should accompany her, and remain attached to her. Besides, what is this creature of hers? Is it a being, or is it, as the (Gnostics) say, a conception? If it be a being, what difference is there between it and its principle? If it be some other kind of a soul, it must be a “soul of growth and generation,” since its principle is a reasonable soul. If however (this Wisdom) be a “soul of growth and generation,” how could it be said to have created for the purpose of being honored? In short, how could it have been created by pride, audacity, and imagination? Still less would we have the right to say that it had been created by virtue of a rational conception. Besides, what necessity was there for the mother of the demiurgic creator to have formed him of matter and of an image? Speaking of conception, it would be necessary to explain the origin of this term; then, unless a creative force be predicated of this conception, it would be necessary to show how a conception can constitute a real being. But what creative force can be inherent in this imaginary being? The (Gnostics) say that this image (the demiurgic creator) was produced first, and that only afterwards other images were created; but they permit themselves to assert that without any proof. For instance, how could it be said that fire was produced first (and other things only later)? [Ennead II,9 (33) 11]

How could this newly formed image (the demiurgic creator) have undertaken to create by memory of the things he knew? As he did not exist before, he could not have known anything, any more than the mother (Wisdom) which is attributed to him. Besides, it is quite surprising that, though the (Gnostics) did not descend upon this world as images of souls, but as veritable, genuine souls, nevertheless hardly one or two of them succeeds in detaching themselves from the (sense) world and by gathering together their memories, to remember some of the things they previously knew, while this image (the demiurgical creator), as well as his mother (Wisdom), which is a material image, was capable of conceiving intelligible entities in a feeble manner, indeed, as say the Gnostics, but after all from her very birth. Not only did she conceive intelligible things, and formed an idea of the sense-world from the intelligible world, but she also discovered with what elements she was to produce the sense-world. Why did she first create the fire? Doubtless because she judged she would begin thereby; for why did she not begin with some other element? If she could produce fire because she had the conception thereof, why, as she had the conception of the world — as she must have begun by a conception of the totality — did she not create the whole at one single stroke? Indeed, this conception of the world embraced all its parts. It would also have been more natural, for the demiurgical creator should not have acted like a workman, as all the arts are posterior to nature and to the creation of the world. Even to-day, we do not see the natures when they beget individuals, first produce the fire, then the other elements successively, and finally mingle them. On the contrary, the outline and organization of the entire organism are formed at once in the germ born at the monthly periods in the womb of the mother. Why then, in creation, should matter not have been organized at one stroke by the type of the world, a type that must have contained fire, earth, and all the rest of them? Perhaps the (Gnostics) would have thus conceived of the creation of the world, if (instead of an image) they had had in their system a genuine Soul. But their demiurgic creator could not have proceeded thus. To conceive of the greatness, and especially of the dimension of the heavens, of the obliquity of the zodiac, of the course of the stars, the form of the earth, and to understand the reason of each of these things, would not have been the work of an image, but rather of a power that proceeded from the better principles, as the (Gnostics) in spite of themselves acknowledge. [Ennead II,9 (33) 12]

We must further observe that it is not the same beauty that is seen in the parts and in the whole, in individuals and in the universe; that there are beauties great enough in sense-objects and in individuals, for instance, in the guardians, to lead us to admire their creator, and to prove to us that they indeed are works of his. In this way we may attain a conception of the unspeakable beauty of the universal Soul, if we do not attach ourselves to sense-objects, and if, without scorning them, we know how to rise to intelligible entities. If the interior of a sense-being be beautiful, we shall judge that it is in harmony with its exterior beauty. If it be ugly we will consider that it is inferior to its principle. But it is impossible for a being really to be beautiful in its exterior while ugly within; for the exterior is beautiful only in so far as it is dominated by the interior. Those who are called beautiful, but who are ugly within, are externally beautiful only deceptively. In contradiction to those who claim that there are men who possess a beautiful body and an ugly soul, I insist that such never existed, and that it was a mistake to consider them beautiful. If such men were ever seen, their interior ugliness was accidental, and also their soul was, by nature, beautiful; for we often meet here below obstacles which hinder us from reaching our goal. But the universe cannot by any obstacle be hindered from possessing interior beauty in the same way that it possesses exterior beauty. The beings to whom nature has not, from the beginning, given perfection, may indeed not attain their goal, and consequently may become perverted; but the universe never was a child, nor imperfect; it did not develop, and received no physical increase. Such a physical increase would have been impossible inasmuch as it already possessed everything. Nor could we admit that its Soul had ever, in the course of time, gained any increase. But even if this were granted to the (Gnostics), this could not constitute any evil. [Ennead II,9 (33) 17]

It remains for us to discover whether it were “Being,” in the process of division, that begat number, or whether it be the number that divided “Being.” (This is the alternative:) either “being,” movement, stability, difference and identity produced number, or it is number that produced all these (categories, or) genera. Our discussion must start thus. Is it possible that number should exist in itself, or must we contemplate two in two objects, three in three objects, and so forth? The same question arises about unity as considered within numbers; for if number can exist in itself independently of numbered things, it can also exist previously to the essences. Can number therefore exist before the essences? It might be well preliminarily to assert that number is posterior to the Essence, and proceeds therefrom. But then if essence be one essence, and if two essences be two essences, one will precede essence, and the other numbers will precede the essences. (Would number then precede the essences) only in thought and conception, or also in the hypostatic existence? We should think as follows. When you think of a man as being one, or the beautiful as being one, the one that is thus conceived in both (beings) is something that is thought only afterward. Likewise, when you simultaneously consider a dog and a horse, here also two is evidently something posterior. But if you beget the man, if you beget the horse or the dog, or if you produce them outside when they already exist in you, without begetting them, nor producing them by mere chance (of seeing them), you will say, “We should go towards one (being), then pass to another, and thus get two; then make one more being, by adding my person.” Likewise, (beings) were not numbered after they were created, but before they were created, when (the creator) decided how many should be created. [Ennead VI,6 (34) 9]

Where then is He who has created this venerable beauty, and this perfect life? Where is He who has begotten “being”? Do you see the beauty that shines in all these forms so various? It is well to dwell there; but when one has thus arrived at beauty, one is forced to seek the source of these essences and of their beauty. Their author Himself cannot be any of them; for then He would be no more than some among them, and a part of the whole. He is therefore none of the particular forms, nor a particular power, nor all of the forms, nor all the powers that are, or are becoming, in the universe; He must be superior to all the forms and all the powers. The supreme Principle therefore has no form; not indeed that He lacks any; but because He is the principle from which all intellectual shapes are derived. Whatever is born — that is, if there be anything such as birth — must, at birth, have been some particular being, and have had its particular shape; but who could have made that which was not made by anybody? He therefore is all beings, without being any of them; He is none of the other beings because He is anterior to all of them; He is all other beings because He is their author. What greatness shall be attributed to the Principle who can do all things? Will He be considered infinite? Even if He be infinite, He will have no greatness, for magnitude occurs only among beings of the lowest rank. The creator of magnitude could not himself have any magnitude; and even what is called magnitude in “being” is not a quantity. Magnitude can be found only in something posterior to being. The magnitude of the Good is that there be nothing more powerful than He, nothing that even equals Him. How indeed could any of the beings dependent on Him ever equal Him, not having a nature identical with His? Even the statement that God is always and everywhere does not attribute to Him any measure, nor even, a lack of measure — otherwise, He might be considered as measuring the rest; nor does it attribute to Him any figure (or, outward appearance). [Ennead VI,7 (38) 32]

Thus the Divinity, being the object of desire, must be the most desired and the most loved, precisely because He has no figure nor shape. The love He inspires is immense; this love is limitless, because of the limitlessness of its object. He is infinite, because the beauty of its object surpasses all beauty. Not being any essence, how indeed could the (divinity) have any determinate beauty? As supreme object of love, He is the creator of beauty. Being the generating power of all that is beautiful, He is at the same time the flower in which beauty blooms: for He produces it, and makes it more beautiful still by the superabundance of beauty which He sheds on her. He is therefore simultaneously the principle and goal of beauty. As principle of beauty, He beautifies all that of which He is the principle. It is not however by shape that He beautifies; what He produces has no shape, or, to speak more accurately, He has a shape in a sense different from the habitual meaning of this term. The shape which is no more than a shape is a simple attribute of some substance, while the Shape that subsists in itself is superior to shape. Thus, that which participates in beauty was a shape; but beauty itself has none. [Ennead VI,7 (38) 32]

Intelligence therefore embraces what comes after it, the Soul; so that the Soul, till the last of her powers, is contained by a number; as to the last power (matter), it is entirely infinite Considered in this condition (where, turning towards what is below it, it begets the Soul), Intelligence is a part (because it applies itself to something particular), though it possess all things, and though, in itself, it be universal; the intelligences which compose it are each a part (each constituting a particular intelligence by virtue of the actualization of Intelligence which exists (and thus exists in itself). As to the Soul, she is the part of a part (that is, a part of the Intelligence which itself is a part, as has just been said), but exists by virtue of the actualization of the Intelligence which acts outside of itself. Indeed, when Intelligence acts in itself, the actualizations it produces are the other intelligences; when it acts outside of itself, it produces the Soul. When in her turn, the Soul acts as genus or species, she begets the other souls which are her species. These souls themselves have two actualizations; the one, directed towards what is above them, constitutes their intelligence; the other, directed towards what is below them, gives birth to the other rational powers, and even to a last power which is in contact with matter, and which fashions it. The inferior part of the soul does not hinder the whole remainder from remaining in the superior region. Besides, this inferior part is only the very image of the soul; it is not separated from her, but it resembles the image reflected by a mirror, an image which persists only so long as the model remains before the mirror. What should be our conception of the model placed before the mirror? Down through what is immediately above the image (that is, down through the soul herself), we have the intelligible world, composed of all the intelligible entities, where everything is perfect. The sense-world is no more than the imitation thereof, and it imitates that intelligible world so far as it can, in that it itself is a living organism which is the image of the perfect living Organism. The sense-world imitates it as the portrait that is painted, or reflected by the surface of water reproduces the person situated before the painter, or above the water. This portrait obtained by the painting, or reflected by the surface of the water is not the image of the composite which constitutes the man (the soul and body), but of one or two parts only, the body which was fashioned by the soul. Likewise, therefore, the sense-world, which was made to resemble the intelligible world, offers us images, not of its creator, but of the (essences) contained within its creator, among which is man, along with all other animals. Now, in common with its creator, each living organism possesses life, though each possess it differently; both, besides, equally form part of the intelligible world. [Ennead VI,2 (43) 22]

“Always” must therefore be applied to the power which contains no interval in its existence, which has need of nothing outside of what it possesses, because it possesses everything, because it is every being, and thus lacks nothing. Such a nature could not be complete in one respect, but incomplete in another. Even if what is in time should appear complete, as a body that suffices the soul appears complete, though it be complete only for the soul; that which is in time needs the future, and consequently is incomplete in respect to the time it stands in need of; when it succeeds in enjoying the time to which it aspires, and succeeds in becoming united thereto, even though it still remain imperfect it still is called perfect by verbal similarity. But the existence whose characteristic it is not to need the future, not to be related to any other time — whether capable of being measured, or indefinite, and still to be indefinite — the existence that already possesses all it should possess is the very existence that our intelligence seeks out; it does not derive its existence from any particular quality, but exists before any quantity. As it is not any kind of quantity, it could not admit within itself any kind of quantity. Otherwise, as its life would be divided, it would itself cease to be absolutely indivisible; but existence must be as indivisible in its life as in its nature (“being”). (Plato’s expression,) “the Creator was good” does indeed refer to the notion of the universe, and indicates that, in the Principle superior to the universe, nothing began to exist at any particular time. Never, therefore, did the universe begin to exist within time, because though its Author existed “before” it, it was only in the sense that its author was the cause of its existence. But, after having used the word “was,” to express this thought, Plato immediately corrects himself, and he demonstrates that this word does not apply to the Things that possess eternity. [Ennead III,7 (45) 6]

When Epicurus   derives the existence and constitution of the universe from automatism and chance, he commits an absurdity, and stultifies himself. That is self-evident, though the matter have elsewhere been thoroughly demonstrated. But (if the world do not owe its origin to chance) we will be compelled to furnish an adequate reason for the existence and creation of all these beings. This (teleological) question deserves the most careful consideration. Things that seem evil do indeed exist, and they do suggest doubts about universal Providence; so that some (like Epicurus) insist there is no providence, while others (like the Gnostics), hold that the demiurgic creator is evil. The subject, therefore, demands thorough investigation of its first principles. [Ennead III,2 (47) 1]

To begin with, we must remark that to show that all is good in the things mingled with matter (and therefore of sense), we must not expect to find in them the whole perfection of the World which is not soiled by matter, and is intelligible; nor should we expect to find in that which holds the second rank characteristics of that which is of the first. Since the world has a body, we must grant that this body will have influence on the totality, and expect no more than that Reason will give it that which this mixed nature was capable of receiving. For instance, if we were to contemplate the most beautiful man here below, we would be wrong in believing that he was identical with the intelligible Man, and inasmuch as he was made of flesh, muscles and bones, we would have to be satisfied with his having received from his creator all the perfection that could be communicated to him to embellish these bones, muscles and flesh, and to make the (“seminal) reason” in him predominate over the matter within him. [Ennead III,2 (47) 7]

Besides, if this world contain both bad and good people, and if the latter play the greater part in the world, there will take place that which is seen in dramas where the poet, at times, imposes his ideas on the actors, and again at others relies on their ingenuity. The obtaining of the first, second or third rank by an actor does not depend on the poet. The poet only assigns to each the part he is capable of filling, and assigns to him a suitable place. Likewise (in the world), each one occupies his assigned place, and the bad man, as well as the good one, has the place that suits him. Each one, according to his nature and character, comes to occupy the place that suits him, and that he had chosen, and then speaks and acts with piety if he be good, and impiously, if he be evil. Before the beginning of the drama, the actors already had their proper characters; they only developed it. In dramas composed by men, it is the poet who assigns their parts to the actors; and the latter are responsible only for the efficiency or inefficiency of their acting; for they have nothing to do but repeat the words of the poet. But in this drama (of life), of which men imitate certain parts when their nature is poetic, it is the soul that is the actor. This actor receives his part from the creator, as stage-actors receive from the poet their masks, garments, their purple robe, or their rags. Thus in the drama of the world it is not from chance that the soul receives her part. [Ennead III,2 (47) 17]

Indeed, the fate of a soul conforms to her character, and, by going through with her part properly, the soul fulfils her part in the drama managed by universal Reason. The soul sings her part, that is, she does that which is in her nature to do. If her voice and features be beautiful, by themselves, they lend charm to the poem, as would be natural. Otherwise they introduce a displeasing element, but which does not alter the nature of the work. The author of the drama reprimands the bad actor as the latter may deserve it, and thus fulfils the part of a good judge. He increases the dignity of the good actor, and, if possible, invites him to play beautiful pieces, while he relegates the bad actor to inferior pieces. Likewise, the soul which takes part in the drama of which the world is the theatre, and which has undertaken a part in it, brings with her a disposition to play well or badly. At her arrival she is classed with the other actors, and after having been allotted to all the various gifts of fortune without any regard for her personality or activities, she is later punished or rewarded. Such actors have something beyond usual actors; they appear on a greater scene; the creator of the universe gives them some of his power, and grants them the freedom to choose between a great number of places. The punishments and rewards are so determined that the souls themselves run to meet them, because each soul occupies a place in conformity with her character, and is thus in harmony with the Reason of the universe. [Ennead III,2 (47) 17]

Although I am able to make any desired decision, nevertheless my decision enters into the plan of the universe, because my nature has not been introduced into this plan subsequently; but it includes me and my character. But whence originates my character? This includes two points: is the cause of any man’s character to be located in Him who formed him, or in that man himself? Must we, on the other hand, give up seeking its cause? Surely: just as it is hopeless to ask why plants have no sensation, or why animals are not men; it would be the same as asking why men are not gods. Why should we complain that men do not have a more perfect nature, if in the case of plants and animals nobody questions or accuses either these beings themselves, nor the power which has made them? (This would be senseless, for two reasons): if we say that they might have been better, we are either speaking of the qualities which each of them is capable of acquiring by himself; and in this case we should blame only him who has not acquired them — or, we are speaking of those qualities which he should derive not from himself, but from the Creator, in which case it would be as absurd to claim for man more qualities than he has received, than it would be to do so in the case of plants or animals. What we should examine is not if one being be inferior to another, but if it be complete within its own sphere; for evidently natural inequalities are unavoidable. This again depends on conformity to nature, not that inequalities depend on the will of the principle which has regulated all things. [Ennead III,3 (48) 3]

The Reason of the Universe, indeed, proceeds from the universal Soul; and the latter, in turn, proceeds from Intelligence. Intelligence, however, is not a particular being; it consists of all (intelligible beings), and all the beings form a plurality. Now, a plurality of being implies mutual differences between them, consisting of first, second and third ranks. Consequently, the souls of engendered animals are rather degradations of souls, seeming to have grown weaker by their procession. The (generating) reason of the animal, indeed, although it be animated, is a soul other than that from which proceeds universal Reason. This Reason itself loses excellence in the degree that it hastens down to enter into matter, and what it produces is less perfect. Nevertheless, we may well consider how admirable a work is the creature, although it be so far distant from the creator. We should, therefore, not attribute to the creator the (imperfections of the) creature; for any principle is superior to its product. So we may assert that (the principle even of imperfect things) is perfect; and, (instead of complaining), we should rather admire His communication of some traits of His power to beings dependent from Him. We have even reason to be more than grateful for His having given gifts greater than they can receive or assimilate; and as the gifts of Providence are superabundant, we can find the cause (of imperfection) only in the creatures themselves. [Ennead III,3 (48) 3]