Guthrie-Plotinus: colors

(The Stoics), like almost everybody, insist that visual beauty consists in the proportion of the parts relatively to each other and to the whole, joined to the grace of colors. If then, as in this case, the beauty of bodies in general consists in the symmetry and just proportion of their parts, beauty could not consist of anything simple, and necessarily could not appear in anything but what was compound. Only the totality will be beautiful; the parts by themselves will possess no beauty; they will be beautiful only by their relation with the totality. Nevertheless, if the totality is beautiful, it would seem also necessary that the parts be beautiful; for indeed beauty could never result from the assemblage of ugly things. Beauty must therefore be spread among all the parts. According to the same doctrine, the colors which, like sunlight, are beautiful, are beautiful but simple, and those whose beauty is not derived from proportion, will also be excluded from the domain of beauty. According to this hypothesis, how will gold be beautiful? The brilliant lightning in the night, even the stars, would not be beautiful to contemplate. In the sphere of sounds, also, it would be necessary to insist that what is simple possesses no beauty. Still, in a beautiful harmony, every sound, even when isolated, is beautiful. While preserving the same proportions, the same countenance seems at one time beautiful, and at another ugly. Evidently, there is but one conclusion: namely, that proportion is not beauty itself, but that it derives its beauty from some superior principle. (This will appear more clearly from further examples). Let us examine occupations and utterances. If also their beauty depended on proportion, what would be the function of proportion when considering occupations, laws, studies and sciences? Relations of proportion could not obtain in scientific speculations; no, nor even in the mutual agreement of these speculations. On the other hand, even bad things may show a certain mutual agreement and harmony; as, for instance, were we to assert that wisdom is softening of the brain, and that justice is a generous folly. Here we have two revoltingly absurd statements, which agree perfectly, and harmonize mutually. Further, every virtue is a soul-beauty far truer than any that we have till now examined; yet it could not admit of proportion, as it involves neither size nor number. Again, granting that the soul is divided into several faculties, who will undertake to decide which combination of these faculties, or of the speculations to which the soul devotes itself, will produce beauty? Moreover (if beauty is but proportion), what beauty could be predicated of pure intelligence? [Ennead I,6 (1) 1]

Thus, in her ascension towards divinity, the soul advances until, having risen above everything that is foreign to her, she alone with Him who is alone, beholds, in all His simplicity and purity, Him from whom all depends, to whom all aspires, from whom everything draws its existence, life and thought. He who beholds him is overwhelmed with love; with ardor desiring to unite himself with Him, entranced with ecstasy. Men who have not yet seen Him desire Him as the Good; those who have, admire Him as sovereign beauty, struck simultaneously with stupor and pleasure, thrilling in a painless orgasm, loving with a genuine emotion, with an ardor without equal, scorning all other affections, and disdaining those things which formerly they characterized as beautiful. This is the experience of those to whom divinities and guardians have appeared; they reck no longer of the beauty of other bodies. Imagine, if you can, the experiences of those who behold Beauty itself, the pure Beauty, which, because of its very purity, is fleshless and bodiless, outside of earth and heaven. All these things, indeed are contingent and composite, they are not principles, they are derived from Him. What beauty could one still wish to see after having arrived at vision of Him who gives perfection to all beings, though himself remains unmoved, without receiving anything; after finding rest in this contemplation, and enjoying it by becoming assimilated to Him? Being supreme beauty, and the first beauty, He beautifies those who love Him, and thereby they become worthy of love. This is the great, the supreme goal of souls; this is the goal which arouses all their efforts, if they do not wish to be disinherited of that sublime contemplation the enjoyment of which confers blessedness, and privation of which is the greatest of earthly misfortunes. Real misfortune is not to lack beautiful colors, nor beautiful bodies, nor power, nor domination, nor royalty. It is quite sufficient to see oneself excluded from no more than possession of beauty. This possession is precious enough to render worthless domination of a kingdom, if not of the whole earth, of the sea, or even of the heavens — if indeed it were possible, while abandoning and scorning all that (natural beauty), to succeed in contemplating beauty face to face. [Ennead I,6 (1) 7]

If the intelligible world contains the idea of Man, it must also contain that of the reasonable man, and of the artist; and consequently the idea of the arts that are begotten by Intelligence. We must therefore insist that the intelligible world contains the ideas of the universals, the idea of Man as such, and not, for instance, that of Socrates  . Still we shall have to decide whether the intelligible world does not also contain the idea of the individual man, that is, of the man considered with the things that differ in each individual; for one may have a Roman nose and the other a pug nose. These differences are indeed implied within the idea of man, just as there are differences within the idea of animal. But the differences between a Roman or a snub nose are derived from matter. Likewise, amidst the varieties of colors, some are contained within the seminal reason, while others are derived from matter and space. [Ennead V,9 (5) 12]

If, we were to conclude that there were no matter in intelligible entities, because they were immutable, and because, in them, matter is always combined with (shape), we would be logically compelled to deny the existence of matter in bodies; for the matter of bodies always has a form, and every body is always complete (containing a form and a matter). Each body, however, is none the less composite, and intelligence observes its doubleness; for it splits until it arrives to simplicity, namely, to that which can no longer be decomposed; it does not stop until it reaches the bottom things. Now the bottom of each thing is matter. Every matter is dark, because the reason (the form) is the light, and because intelligence is the reason. When, in an object, intelligence considers the reason, it considers as dark that which is below reason, or light. Likewise, the eye, being luminous, and directing its gaze on light and on the colors which are kinds of light, considers what is beneath, and hidden by the colors, as dark and material. [Ennead II,4 (12) 5]

It may be objected that it would be impossible to conceive of something without magnitude. The fact is that not everything is identical with quantity. Essence is distinct from quantity; for many other things beside it exist. Consequently no incorporeal nature has any quantity. Matter, therefore, is incorporeal. Besides, even quantity itself is not quantative, which characterizes only what participates in quantity (in general); a further proof that quantity is a form, as an object becomes white by the presence of whiteness; and as that which, in the animal, produces whiteness and the different colors, is not a varied color, but a varied reason; likewise that which produces a quantity is not a definite quantity, but either quantity in itself, or quantity as such, or the reason of quantity. Does quantity, on entering into matter extend matter, so as to give it magnitude? By no means, for matter had not been condensed. Form therefore imparts to matter the magnitude which it did not possess, just as form impresses on matter the quality it lacked. [Ennead II,4 (12) 9]

Now between entirely indivisible (“Being”) which occupies the first rank amidst intelligible beings, and the (essence) which is entirely divisible in its sense-objects, there is, above the sense-world, near it, and within it, a “being” of another nature, which is not, like bodies, completely divisible, but which, nevertheless, becomes divisible within bodies. Consequently, when you separate bodies, the form within them also divides, but in such a way that it remains entire in each part. This identical (essence), thus becoming manifold, has parts that are completely separated from each other; for it then is a divisible form, such as colors, and all the qualities, like any form which can simultaneously remain entire in several things entirely separate, at a distance, and foreign to each other because of the different ways in which they are affected. We must therefore admit that this form (that resides in bodies) is also divisible. [Ennead IV,2 (21) 1]

It may be objected that the image need not necessarily be attached to its model; for there are images that subsist in the absence of their model from which they are derived. For instance, when the fire ceases, the heat that proceeds from it does not any the less remain in the warmed object. The relation between this image and its model should be understood as follows. Let us consider an image made by a painter. In this case, it is not the model who made the image, but the painter; and even so it is not even the real image of the model, even if the painter had painted his own portrait; for this image did not arise from the body of the painter, nor from the represented form, nor from the painter himself, but it is the product of a complex of colors arranged in a certain manner. We, therefore, do not really here have the production of an image, such as is furnished by mirrors, waters, and shadows. Here the image really emanates from the pre-existing model, and is formed by it, and could not exist without it. It is in this manner that the inferior potentialities proceed from the superior ones. [Ennead VI,4 (22) 10]

But does that which disappears merely depart, or does it perish? Such is the question which applies both to the light which inheres in the illuminated objects (and colors them), as well as to the life inherent in the body, and which we call the characteristically bodily life. Evidently, there remains no light left in the objects which were illuminated. But the question is to decide whether the light that inhered in them returns to its source, or is annihilated. Annihilation is impossible if anteriorly it was something real. What was it really? So-called color must depend on the very bodies from which light also emanates; and when these bodies perish, their coloring perishes with them; nobody indeed asks after the fate of the color of the fire that has gone out any more than one troubles oneself about what has become of its appearance. It may be objected that the appearance is only a condition, such as holding the hand open or closed, while the color, on the contrary, is the same sort of a quality as sweetness. Now, is there nothing to hinder the sweet or the fragrant body from perishing, without affecting the existence of the sweetness and fragrance? Could they subsist in other bodies without being felt, because the bodies which participate in the qualities, are such as not to allow the qualities they possess to be felt? What would hinder the unaffected existence of the light after the destruction of the body it colored, if it merely ceased to be reflected, unless one’s mind should see that those qualities subsist in no subject? If we were to admit this opinion, we would also be obliged to admit that qualities are indestructible, that they are not produced in the constitution of the bodies, that their colors are not produced by the reasons in seed; that, as happens with the changing plumage of certain birds, the (“seminal) reasons” not only gather or produce the colors of the objects, but they besides make use of those that still fill the air, and that they remain in the air without being such as they appear to us when in bodies. Enough of this. [Ennead IV,4 (28) 29]

It may still be asked whether, if while the bodies subsist, the light that colors them remains united to them, and does not separate from them, why then would not both it, together with its immediate emanations, move along with the body in which it inheres, although it cannot be seen going away any more than it is seen approaching? We shall therefore have to examine elsewhere if the second-rank powers of the soul always remain attached to the higher ones, and so on; or if each of them subsist by itself, and can continue to subsist in itself when it is separated from the higher ones; or if, inasmuch as no part of the soul can be separated from the others, all together form a soul which is simultaneously one and manifold, but in some still undetermined manner. [Ennead IV,4 (28) 29]

Things which appear as a figure themselves possess a characteristic influence, which changes according to the people with which they are brought in contact. Examples of this may be seen daily. Why do certain figures or appearances inspire us with terror, although they have never done us any harm, while others do not produce the same effect on us? Why are some people frightened by certain figures or appearances, while others are frightened by different ones? Because the former’s constitution specially acts on the former people, and the latter on the latter; they could only produce effects in harmony with their nature. One object attracts attention by a particular appearance, and would yet attract attention by a different constitution. If it was its beauty that exerted the power of arousing emotion, why then would this beautiful object move one man, while the other object would move another, if there be no potency in the difference of figure or appearance? It would be unreasonable to admit that colors have a characteristic influence and action, yet deny the same power to figures or appearances. It would, besides, be absurd, to admit the existence of something, but to refuse it all potency. Every being, because of his mere existence, must “act” or “suffer.” Some indeed “act” exclusively, while others both “act” and “suffer.” Substances contain influences independent of their figure or appearance. Terrestrial beings also possess many forces which are derived neither from heat nor cold. The reason is that these beings are endowed with different qualities, that they receive their forms from (“seminal) reasons,” and participate in the powers of nature; such are the peculiar virtues of natural stones, and the surprising effects produced by plants. [Ennead IV,4 (28) 35]

(Curiosity might lead some one to ask about) a force that were not the actualization of the Soul, but which only proceeded from this actualization, such as the life which we say is proper to the body. Is the case of such a force similar to that of the light characteristic of bodies? We said that the light inheres in colored bodies, so far as that which produces the colors inheres in the bodies. As to the life proper to the bodies, we think that the body possesses it so far as the soul is present; for nothing can be inanimate. When the body perishes, and when it is no longer assisted by the soul which communicated life to it, nor by the actualization of this soul, how should life remain in the body? What! Has this life perished? No: this life itself has not perished, for it is only the image of an irradiation; it would not be correct to say more than that it is no more there. [Ennead IV,5 (29) 7]

Evidently nature possesses neither hands, nor feet, nor any natural or artificial instrument. For production its only need is a matter on which to work, and which it forms. The works of nature exclude all ideas of mechanical operation; not by any impelling force, nor by using levers nor machines does it produce varied colors, nor draw the outlines of objects. Even the workmen who form wax figures, to whose work the operations of nature are often compared, cannot endue objects with colors without borrowing them from elsewhere. Besides, we must observe that these workmen contain a power which remains immutable, and by the sole means of which they produce their works with their hands. Likewise, nature contains a power which remains immovable as a whole; it has no need of some parts that would remain immovable, and others that move. It is matter alone that undergoes movement, for the forming power is in no way moved. Were the forming power moved, it would no longer be the first motor; the first motor would no longer be nature, but whatever might, in its totality, be immovable. [Ennead III,8 (30) 2]

We should not seek to perceive an object otherwise than by the faculty that is suitable to cognize it. Thus colors are perceived by the eyes, sounds by the ears, and other qualities by other senses. Analogy would assign to intelligence its proper function, so that thinking should not be identified with seeing and hearing. To act otherwise would be to resemble a man who would try to perceive colors by the ears, and who would deny the existence of sounds because he could not see them. We must never forget that men have forgotten the Principle which from the beginning until this day has excited their desires and wishes. Indeed all things aspire to the first Principle, tend thither by a natural necessity, and seem to divine that they could not exist without Him. The notion of the beautiful is given only to souls that are awake, and that already possess some knowledge; at sight of Him they are simultaneously dazed with His sublimity, and spurred on by love. From His very origin, on the contrary, the Good excites in us an innate desire; He is present with us even in sleep; His view never dazes us with stupor, because He is always with us. Enjoyment of His presence demands neither reminiscence nor attention, because one is not deprived thereof even in sleep. When the love of the beautiful overwhelms us, it causes us anxieties, because the sight of the beautiful makes us desire it. As the love excited by the beautiful is only secondary, and as it exists only in such persons as possess already some knowledge, the beautiful evidently occupies only the second rank. On the contrary, the desire of the Good is more original, and demands no preliminary knowledge. That surely demonstrates that the Good is anterior and superior to the beautiful. Besides, all men are satisfied as soon as they possess the Good; they consider that they have reached their goal. But not all think that the beautiful suffices them; they think that the beautiful is beautiful for itself, rather than for them; as the beauty of an individual is an advantage only for himself. Last, the greater number of people are satisfied with seeming beautiful, even if they are not so in reality; but they are not satisfied with seeming to possess the Good, which they desire to possess in reality. Indeed, all desire to have that which occupies the front rank; but they struggle, they engage in rivalry about the beautiful in the opinion that it is born just as they are (from development of circumstances). They resemble a person who would claim equality with another person who holds the first rank after the king, because both depend from the king; such a person does not realize that though both are subject to the king, yet there is a great difference in hierarchical rank between them; the cause of this error is that both participate in a same principle, that the One is superior to both of them, and that lastly the Good has no need of the beautiful, while the beautiful is in need of the Good. The Good is sweet, calm, and full of delights; we enjoy it at will. On the contrary, the beautiful strikes the soul with amazement, agitates it, and mingles pains with pleasures. In spite of ourselves we are thereby often separated from the Good, like a beloved object separates a son from the father. The Good is more ancient than the beautiful, not in time, but in reality; besides, it exerts superior power, because it is unlimited. That which is inferior to it, possesses only an inferior and dependent power, instead of having a limitless power (as belongs to Intelligence, which is inferior to the Good). The Divinity therefore is master of the power which is inferior to His own; He has no need of things that are begotten; for it is from Him that all their contents are derived. Besides, He had no need of begetting; He still is such as He was before; nothing would have been changed for Him if He had not begotten; if it had been possible for other things to receive existence (independently of Himself) He would not have opposed it through jealousy. It is now no longer possible for anything to be begotten, for the divinity has begotten all that He could beget. Nor is He the universality of things, for thus He would stand in need of them. Raised above all things, He has been able to beget them, and to permit them to exist for themselves by dominating all. [Ennead V,5 (32) 12]

Subsisting therefore in the manifold, Essence therefore became Number when it was aroused to multiplicity, because it already contained within itself a sort of preformation or representation of the essences which it was ready to produce, offering the essences, as it were, a locality for the things whose foundation they were to be. When we say, “so much gold,” or, “so many other objects,” gold is one, and one does not thereby intend to make gold out of the number, but to make a number out of the gold; it is because one already possesses the number that one seeks to apply it to gold, so as to determine its quality. If essences were anterior to Number, and if Number were contemplated in them when the enumerating power enumerates the objects, the number of the (beings), whatever it is, would be accidental, instead of being determined in advance. If this be not the case, then must number, preceding (the beings) determine how many of them must exist; which means that, by the mere fact of the primitive existence of the Number, the (beings) which are produced undergo the condition of being so many, and each of them participates in unity whenever they are one. Now every essence comes from Essence because essence, by itself, is Essence; likewise, the One is one by itself. If every (being) be one, and if the multitude of (beings) taken together form the unity that is in them, they are one as the triad is one, and all beings also are one; not as is the Monad (or Unity), but as is a thousand, or any other number. He who, while enumerating, produced things, proclaims that there are a thousand of them, claims to do no more than to tell out what he learns from the things, as if he was indicating their colors, while really he is only expressing a condition of his reason; without which, he would not know how much of a multitude was present there. Why then does he speak so? Because he knows how to enumerate; which indeed he knows if he know the number, and this he can know only if the number exist. But not to know what is the number, at least under the respect of quantity, would be ridiculous, and even impossible. [Ennead VI,6 (34) 10]

(Do objects at a distance seem smaller) because we perceive magnitude only by accident, and because color is perceived first? In this case, when an object is near, we perceive its colored magnitude; when at a distance, we perceive first its color, not well enough distinguishing its parts to gather exact knowledge of its quantity, because its colors are less lively. Why should we be surprised at magnitudes being similar to sounds, which grow weaker as their form decreases in distinctness? As to sounds, indeed, it is the form that is sought by the sense of hearing, and here intensity is noticed only as an accident. But if hearing perceive magnitude only by accident, to what faculty shall we attribute the primitive perception of intensity in sound, just as primitive perception of magnitude in the visible object is referable to the sense of touch? Hearing perceives apparent magnitude by determining not the quantity but the intensity of sounds; this very intensity of sounds, however, is perceived only by accident (because it is its proper object). Likewise, taste does not by accident feel the intensity of a sweet savor. Speaking strictly, the magnitude of a sound is its extent. Now the intensity of a sound indicates its extent only by accident, and therefore in an inexact manner. Indeed a thing’s intensity is identical with the thing itself. The multitude of a thing’s parts is known only by the extent of space occupied by the object. [Ennead II,8 (35) 1]

All these things derive from one and the same source; it is neither a breath nor a single heat; but rather a single quality, which contains and preserves within itself all the qualities, the sweetness of the most fragrant perfumes, the flavor of the wine, and of the finest tasty juices, the gleam of the most flashing colors, the softness of the objects which flatter touch with the greatest delicacy, the rhythm and harmony of all the kinds of sounds which can charm the hearing. [Ennead VI,7 (38) 12]

What then is the one and only cause to whose presence is due the goodness (of life, intelligence and idea)? Let us not hesitate to say: Intelligence and primary Life bear the form of Good; it is on this account alone that they are desirable; they bear the form of Good in this respect, that the primary Life is the actualization of the Good, or rather the actualization that proceeds from the Good, and that intelligence is determination of this actualization. (Intelligence and primary Life) are fascinating, and the soul seeks them because they proceed from the Good; nevertheless the soul aspires to them (only) because they fit her, and not because they are good in themselves. On the other hand, the soul could not disdain them because they bear the form of good; though we can disdain something even though it be suitable to us, if it be not a good besides. It is true that we permit ourselves to be allured by distant and inferior objects, and may even feel for them a passionate love; but that occurs only when they have something more than their natural condition, and when some perfection descends on them from on high. Just as the bodies, while containing a light mingled with their (substance), nevertheless need illumination by some other light to bring out their colors, so the intelligible entities, in spite of the light that they contain, need to receive some other more powerful light, so as to become visible, both for themselves, and for others. [Ennead VI,7 (38) 21]

When the soul perceives the light thus shed by the Good on the intelligible entities, she flies towards them, tasting an indescribable bliss in the contemplation of the light that illuminates them. Likewise here below, we do not like the bodies for themselves, but for the beauty that shimmers in them. Each intelligible entity owes its nature to none but to itself; but it only becomes desirable when the Good, so to speak, illuminates and colors it, breathing grace into the desired object, and inspiring love into the desiring heart. As soon as the soul reacts to the influence of the Good, she feels emotion, swells with fancy, is stung by desire, and love is born within her. Before reacting to the influence of good she feels no transports when facing the beauty of Intelligence; for this beauty is dead so long as it is not irradiated by the Good. Consequently the soul still remains depressed and bowed down, cold and torpid, in front of Intelligence. But as soon as she feels the gentle warmth of the Good, she is refreshed, she awakes, and spreads her wings; and instead of stopping to admire the Intelligence in front of her, she rises by the aid of reminiscence to a still higher principle (the First). So long as there is anything superior to what she possesses, she rises, allured by her natural leaning for the Inspirer of love; so she passes through the region of Intelligence, and stops at the Good because there is nothing beyond. So long as she contemplates Intelligence, she surely enjoys a noble and magnificent spectacle, but she does not yet fully possess the object of her search. Such would be a human countenance, which, in spite of its beauty, is not attractive, for lack of the charm of grace. Beauty is, indeed, rather the splendor that enhalos proportion, than proportion itself; and it is properly this splendor which challenges love. Why indeed does beauty shine radiantly on the face of a living person, and yet leave hardly a trace after death, even when the complexion and features are not yet marred? Why, among different statues, do the most life-like ones seem more beautiful than others that may be better proportioned? Why is a living being, though ugly, more beautiful than a pictured one, even though the latter were the most handsome imaginable? The secret is that the living form seems to us most desirable, because it possesses a living soul, because it is most assimilated to the Good; because the soul is colored by the light of the Good, and because, enlightened by the Good she is more wakeful and lighter, and because in her turn she lightens the burdens, awakes, and causes participation of the Good, so far as she may be able, in the body within which she resides. [Ennead VI,7 (38) 22]

The element of truth in all this, however, is that every action, disposition and life is joined by some accessory (pleasure or pain) that unites with it. Indeed, sometimes action meets an obstacle to its natural accomplishment, and life is affected by the mixture of a little of its contrary, which limits its independence; sometimes, however, action is produced without anything troubling its purity and serenity, and then life flows along a tranquil course. Those who consider that this state of intelligence is desirable, and preferable to everything else, in their inability to express their thoughts more definitely, say that it is mingled with pleasure. Such likewise is the meaning of expressions used by those who apply to divine things terms intended to express joy here below, and who say, “He is intoxicated with nectar! Let us to the banquet  ! Jupiter smiles!” This happy state of intelligence is that which is the most agreeable, the most worthy of our wishes, and of our love; nor is it transitory, and does not consist in a movement; its principle is that which colors intelligence, illumines it, and makes it enjoy a sweet serenity. That is why Plato adds to the mixture truth, and puts above it that which gives measure. He also adds that the proportion and the beauty which are in the mixture pass from there into the beautiful. That is the good that belongs to us, that is the fate that awaits us. That is the supreme object of desire, an object that we will achieve on condition of drawing ourselves up to that which is best in us. Now this thing full of proportion and beauty, this form composed (of the elements of which we have spoken), is nothing else but a life full of radiance, intelligence and beauty. [Ennead VI,7 (38) 30]

The first consideration that meets us is that each body, whether of animals or plants, is multiple, by virtue of its colors, forms, dimensions, the kinds of parts, and diversity of their position; and that nevertheless all things derive from unity, whether from the absolutely simple Unity, or from the habituation of the universal Unity, or from some principle having more unity — and consequently more essence — than the things it produces; because, the further the distance from unity, the less the essence. The principle which forms the bodies must therefore be one, without either being absolutely one, nor identical with the One; otherwise, it would not produce a plurality that was distant from unity; consequently, it must be a plural-unity. Now this principle is the soul; therefore she must be a plural unity. This plurality, however, consists of the (“seminal) reasons” which proceed from the soul. The reasons, indeed, are not other than the soul; for the soul herself is reason, being the principle of the reasons; the reasons are the actualization of the soul which acts according to her being; and this being is potentiality of the reasons. The soul is therefore plurality simultaneously with unity; which is clearly demonstrated by the action she exerts on other things. [Ennead VI,2 (43) 5]

Bodies may also be distinguished by heat or dryness, wetness or cold, or in any other desired manner, by taking two qualities simultaneously, then considering these things as a composition and mixture, and ceasing at the combination thereof. Or, bodies may be divided in terrestrial bodies, that dwell on the earth, or distribute them according to their forms, and the differences of animals; by classifying not the animals themselves, but their bodies, which are their instruments, as it were. It is proper to establish a classification according to the forms, as it is equally reasonable to classify bodies according to their qualities, such as heat, cold, and so forth. If it be objected that bodies are constituted rather by their qualities, it may be answered that they are just as much classified by their blends, their colors, and their figures. When analyzing sense-being, it is not unreasonable to classify it according to the differences that appear to the senses. This (“being”) does not possess absolute (Essence); it is the totality of the matter and qualities which constitutes the sense-being, since we have said that its hypostatic existence consists in the union of the things perceived by the senses, and that it is according to the testimony of their senses that men believe in the existence of things. [Ennead VI,3 (44) 10]

When we were treating of things that were qualified, we had already explained that matter, united to quantity, and taken with other things, constitutes sense-being; that this “being” seems to be a composite of several things, that it is not properly a “whatness,” but rather qualification (or, qualified thing). The (“seminal) reason,” for instance that of fire, has more of a reference to “whatness,” while the form that the reason begets is rather a qualification. Likewise, the (“seminal) reason” of man is a “whatness,” whilst the form that this reason gives to the body, being only an image of reason, is rather a qualification. Thus if the Socrates that we see was the genuine Socrates, his mere portrait composed of no more than colors would also be called Socrates. Likewise, although this (“seminal) reason” of Socrates be that which constitutes the genuine Socrates, we nevertheless also apply the name of Socrates to the man that we see; yet the colors, or the figure of the Socrates we see, are only the image of those which are contained by his (“seminal) reason.” Likewise, the reason of Socrates is itself only an image of the veritable reason (of the idea) of the man. This is our solution of the problem. [Ennead VI,3 (44) 15]

Qualities, therefore, should be classified as of the body, and of the soul. Even though all the souls, as well as their immaterial qualities, be considered as existing on high, yet their inferior qualities must be divided according to the senses, referring these qualities either to sight, hearing, feeling, taste, or smell. Under sight, we will classify the differences of colors; under hearing, that of the sounds; and likewise, with the other senses. As to the sounds, inasmuch as they have but a single quality, they will have to be classified according to their being soft, harsh, agreeable, and the like. [Ennead VI,3 (44) 17]

What sort of differences, indeed, might we use to establish such divisions, and from what genus would we draw them? It seems absurd to classify quality by quality itself. This is just as if the difference of “beings” were to be called “beings.” By what indeed could one distinguish white from black, and colors from tastes and sensations of touch? If we distinguish the difference of these qualities by the sense-organs, these differences would no longer exist in the subjects. How indeed could one and the same sense distinguish the difference of the qualities it perceives? Is it because certain things exercise an action that is constructive or destructive on the eyes, or the tongue? We would then have to ask what is the constructive or destructive element in the sensations thus excited? Yet, even were this answered, such an answer would not explain wherein these things differ. [Ennead VI,3 (44) 17]

Are all qualities differences, or not? Whiteness, colors, qualities perceived by touch and taste, may become differences between different objects, though they themselves be species. But how do the sciences of grammar or of music constitute differences? The science of grammar renders the mind grammatical, and the science of music renders the mind musical, especially if they be untaught; and these thus become specific differences. Besides, we have to consider whether a difference be drawn from the same genus (from which the considered things are drawn), or from some other genus. If it be drawn from the same genus, it fulfils, for the things of this genus, the same function as does a quality to the quality to which it serves as difference. Such are virtue and vice; virtue is a particular habit, and vice is also a particular habit; consequently, as habits are qualities, the differences of these habits (either of virtue or vice) will be qualities. It may perhaps be objected that a habit without difference is not a quality, and that it is the difference alone which constitutes the quality. We will answer that it is (commonly) said that sweet is good, and that bitter is bad; this then implies a recognition of their difference by a habit (a manner of being), and not by a quality. [Ennead VI,3 (44) 18]

Does every quality have an opposite? As to vice and virtue, there is, between the extremes, an intermediary quality which is the opposite of both, but, with colors, the intermediaries are not contraries. This might be explained away on the ground that the intermediary colors are blends of the extreme colors. However, we ought not to have divided colors in extremes and intermediaries, and opposed them to each other; but rather have divided the genus of color into black and white, and then have shown that other colors are composed of these two, or differentiated another color that would be intermediate, even though composite. If it be said that intermediary colors are not opposite to the extremes because opposition is not composed of a simple difference, but of a maximal difference, it will have to be answered that this maximal difference results from having interposed intermediaries; if these were removed, the maximal difference would have no scale of comparison. To the objection that yellow approximates white more than black, and that the sense of sight supports this contention; that it is the same with liquids where there is no intermediary between cold and hot; it must be answered that white and yellow and other colors compared to each other similarly likewise differ completely; and, because of this their difference, constitute contrary qualities; they are contrary, not because they have intermediaries, but because of their characteristic nature. Thus health and sickness are contraries, though they have no intermediaries. Could it be said that they are contraries because their effects differ maximally? But how could this difference be recognized as maximal since there are no intermediaries which show the same characteristics at a less degree? The difference between health and sickness could not therefore be demonstrated to be maximal. Consequently, oppositeness will have to be analyzed as something else than maximal difference. Does this mean only a great difference? Then we must in return ask whether this “great” mean “greater by opposition to something smaller,” or “great absolutely”? In the first case, the things which have no intermediary could not be opposites; in the second, as it is easily granted that there is a great difference between one nature and another, and as we have nothing greater to serve as measure for this distance, we shall have to examine by what characteristics oppositeness might be recognized. [Ennead VI,3 (44) 20]

To begin with, resemblance does not mean only belonging to the same genus, nor mere confusion from more or less numerous characteristics, as, for instance, by their forms. Things that possess resemblance, therefore, are not opposites. Only things which have nothing identical in respect to species are opposites; though we must add that they must belong to the same genus of quality. Thus, though they have no intermediaries, we can classify as opposites the things which betray no resemblance to each other; in which are found only characteristics which do not approximate each other, and bear no kind of analogy to each other. Consequently, objects which have something in common in the respect of colors could not be contraries. Besides, not everything is the contrary of every other thing; but one thing is only the contrary of some other; and this is the case with tastes as well as with colors. But enough of all this. [Ennead VI,3 (44) 20]

Shall we have to admit that composition and decomposition are movements which exist by themselves, and analyze alteration into them? Condensation is explained as undergoing an alteration; that means, as becoming composite. On the other hand, rarefaction is also explained as undergoing an alteration, namely, that of decomposition; when, for instance, one mingles water and wine, each of these two things becomes other than it was, and it is the composition which has operated the alteration. We will answer that here composition and decomposition no doubt precede certain alterations, but these alterations are something different than compositions and decompositions. Other alterations (certainly) are not compositions and decompositions, for neither can condensation nor rarefaction be reduced to these movements, nor are they composed of them. Otherwise, it would be necessary to acknowledge the (existence of) emptiness. Besides, how could you explain blackness and whiteness, as being composed of composition and decomposition? This doctrine would destroy all colors and qualities, or at least, the greater part of them; for if all alteration, that means, all change of quality, consisted in a composition or decomposition, the result would not be the production of a quality, but an aggregation or disaggregation. How indeed could you explain the movements of teaching and studying by mere “composition”? [Ennead VI,3 (44) 25]

What qualities does Intelligence display in the intelligible world? What qualities does it discover in itself by contemplation? To begin with, we must not form of Intelligence a conception showing a figure, or colors, like bodies. Intelligence existed before bodies. The “seminal reasons” which produce figure and color are not identical with them; for “seminal reasons” are invisible. So much the more are intelligible entities invisible; their nature is identical with that of the principles in which they reside, just as “seminal reasons” are identical with the soul that contains them. But the soul does not see the entities she contains, because she has not begotten them; even she herself, just like the “reasons,” is no more than an image (of Intelligence). The principle from which she comes possesses an evident existence, that is genuine, and primary; consequently, that principle exists of and in itself. But this image (which is in the soul) is not even permanent unless it belong to something else, and reside therein. Indeed, the characteristic of an image is that it resides in something else, since it belongs to something else, unless it remain attached to its principle. Consequently, this image does not contemplate, because it does not possess a light that is sufficient; and even if it should contemplate, as it finds its perfection in something else, it would be contemplating something else, instead of contemplating itself. The same case does not obtain in Intelligence; there the contemplated entity and contemplation co-exist, and are identical. Who is it, therefore, that declares the nature of the intelligible? The power that contemplates it, namely, Intelligence itself. Here below our eyes see the light because our vision itself is light, or rather because it is united to light; for it is the colors that our vision beholds. On the contrary, Intelligence does not see through something else, but through itself, because what it sees is not outside of itself. It sees a light with another light, and not by another light; it, is therefore, a light that sees another; and, consequently, it sees itself. This light, on shining in the soul, illuminates her; that is, intellectualizes her; assimilates her to the superior light (namely, in Intelligence). If, by the ray with which this light enlightens the soul, we judge of the nature of this light and conceive of it as still greater, more beautiful, and more brilliant, we will indeed be approaching Intelligence and the intelligible world; for, by enlightening the soul, Intelligence imparts to her a clearer life. This life is not generative, because Intelligence converts the soul towards Intelligence; and, instead of allowing the soul to divide, causes the soul to love the splendor with which she is shining. Neither is this life one of the senses, for though the senses apply themselves to what is exterior, they do not, on that account, learn anything beyond (themselves). He who sees that superior light of the verities sees much better things that are visible, though in a different manner. It remains, therefore, that the Intelligence imparts to the soul the intellectual life, which is a trace of her own life; for Intelligence possesses the realities. It is in the life and the actualization which are characteristic of Intelligence that here consists the primary Light, which from the beginning, illumines itself, which reflects on itself, because it is simultaneously enlightener and enlightened; it is also the true intelligible entity, because it is also at the same time thinker and thought. It sees itself by itself, without having need of anything else; it sees itself in an absolute manner, because, within it, the known is identical with the knower. It is not otherwise in us; it is by Intelligence that we know intelligence. Otherwise, how could we speak of it? How could we say that it was capable of clearly grasping itself, and that, by it, we understand ourselves? How could we, by these reasonings, to Intelligence reduce our soul which recognizes that it is the image of Intelligence, which considers its life a faithful imitation of the life of Intelligence, which thinks that, when it thinks, it assumes an intellectual and divine form? Should one wish to know which is this Intelligence that is perfect, universal and primary, which knows itself essentially, the soul has to be reduced to Intelligence; or, at least, the soul has to recognize that the actualization by which the soul conceives the entities of which the soul has the reminiscence is derived from Intelligence. Only by placing herself in that condition, does the soul become able to demonstrate that inasmuch as she is the image of Intelligence she, the soul, can by herself, see it; that is, by those of her powers which most exactly resemble Intelligence (namely, by pure thought); which resembles Intelligence in the degree that a part of the soul can be assimilated to it. [Ennead V,3 (49) 8]